AVALIAÇÃO DA IMDb
5,1/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo young, damaged lovers head to Los Angeles to kill the King of Rock n Roll in the summer of 1974.Two young, damaged lovers head to Los Angeles to kill the King of Rock n Roll in the summer of 1974.Two young, damaged lovers head to Los Angeles to kill the King of Rock n Roll in the summer of 1974.
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThis is Emily Browning's fourth movie in which she acts as a mental patient. The previous ones were O Mistério das Duas Irmãs (2009), Sucker Punch: Mundo Surreal (2011) and God Help the Girl (2014).
- Erros de gravaçãoIn the police chase after he kills his father, you can see the camera crews truck deck during one of the shots.
Avaliação em destaque
Which ever way you look at this, it is a black comedy and a parody of the genre of
"Badlands" and "In Cold Blood", lovers running amok in a desperate attempt to escape
the System.
Burt Reynolds as the Narrator sure has read his Capote, charting away Jack's mindscape in an eerie matter of fact tone.
There is also the element of fandom going awry, like Mark Chapman and Lennon, or Brutus and Julius Caesar.
And then there is the good family girl falling for the malignant wrongdoer, and the gay friend, like the subtle gay subtext of Capote's "In Cold Blood".
The one-eyed officer Gingrass' character is not thoroughly explained, but one might imagine him having an undisclosed personal motive for pursuing our intrepid trio across quite a number of jurisdictional boundaries.
John Carroll Lynch is a monumental match for the machinating slave driver of Colonel Parker.
Ron Livingston's Elvis is quite the opposite of your run of the mill glamour impersonator, a worn out, pill popping, self destructive, has been ghost of the King with his droopy eyelids and a five o'clock shadow.
Elvis and Jack both receive spiritual guidance in the form of their passed away mothers, the other supportive in times of trouble, the other urging to bump off the corrupted King. Both men are on a mission, but obviously both of their intents are not to be fulfilled.
The carnage just happens, from just a simple headshot when needed, to slitting a throat in order to carry out horrid vengeance. Nothing explicitely gory, though.
The final sortie comes out simply like the showdown at "High Noon". See for yourselves, no "the Butler did it" here.
The epilogue leaves you guessing with a few possible outcomes.
"Shangri-la Suite" is the film's dreamy feminine title, whereas the alternative title "Kill the King" is its violent masculine counterpart.
Background research for 1974 is well done, there are no obvious anachronisms and even Elvis tour dates are historically correct.
Kudos for the contemporary and interesting soundtrack.
To sum it up, an entertaining little flick with not too many big Hollywood names.
Burt Reynolds as the Narrator sure has read his Capote, charting away Jack's mindscape in an eerie matter of fact tone.
There is also the element of fandom going awry, like Mark Chapman and Lennon, or Brutus and Julius Caesar.
And then there is the good family girl falling for the malignant wrongdoer, and the gay friend, like the subtle gay subtext of Capote's "In Cold Blood".
The one-eyed officer Gingrass' character is not thoroughly explained, but one might imagine him having an undisclosed personal motive for pursuing our intrepid trio across quite a number of jurisdictional boundaries.
John Carroll Lynch is a monumental match for the machinating slave driver of Colonel Parker.
Ron Livingston's Elvis is quite the opposite of your run of the mill glamour impersonator, a worn out, pill popping, self destructive, has been ghost of the King with his droopy eyelids and a five o'clock shadow.
Elvis and Jack both receive spiritual guidance in the form of their passed away mothers, the other supportive in times of trouble, the other urging to bump off the corrupted King. Both men are on a mission, but obviously both of their intents are not to be fulfilled.
The carnage just happens, from just a simple headshot when needed, to slitting a throat in order to carry out horrid vengeance. Nothing explicitely gory, though.
The final sortie comes out simply like the showdown at "High Noon". See for yourselves, no "the Butler did it" here.
The epilogue leaves you guessing with a few possible outcomes.
"Shangri-la Suite" is the film's dreamy feminine title, whereas the alternative title "Kill the King" is its violent masculine counterpart.
Background research for 1974 is well done, there are no obvious anachronisms and even Elvis tour dates are historically correct.
Kudos for the contemporary and interesting soundtrack.
To sum it up, an entertaining little flick with not too many big Hollywood names.
- kanankoipi-56197
- 28 de fev. de 2025
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- How long is Shangri-La Suite?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Shangri-La Suite
- Locações de filme
- Los Angeles, Califórnia, EUA(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 14.073
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.344
- 30 de out. de 2016
- Faturamento bruto mundial
- US$ 14.073
- Tempo de duração1 hora 30 minutos
- Cor
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