Uma mãe profundamente triste atrai o assassino de sua filha para sua casa inteligente a fim de se vingar e se envolve em um jogo distorcido em que a vida e a morte estão em jogo.Uma mãe profundamente triste atrai o assassino de sua filha para sua casa inteligente a fim de se vingar e se envolve em um jogo distorcido em que a vida e a morte estão em jogo.Uma mãe profundamente triste atrai o assassino de sua filha para sua casa inteligente a fim de se vingar e se envolve em um jogo distorcido em que a vida e a morte estão em jogo.
Avaliações em destaque
10toonarly
A grieving mother who is quite adept at making high tech smart home systems, lures the serial killer who brutally murdered her only daughter into a smart home labyrinth of various tortures and tests to torment and anger the killer as he tries to escape and survive at the same time. It does not seem to be the good idea to capture a serial killer of this magnitude and play games with him, but given the system tends to not give real justice in these kind of cases, you tend to agree with the mothers choice to take things into her own hands. She is totally obsessed and focuses her whole life into this one goal of punishing the killer. She's si obsessed that she does make a few terrible mistakes. Lots of cool tech, suspense, a bit of terror and tongue cutting, not for the squeamish or kiddos. No questionable content, nudity or foul language, entertaining suspenseful movie. Enjoy.
A semi well-made, "totally" bada@@ movie production that's at least entertaining, both the first half and the second more "adrenaline-pumping" one. For an presumable and expected low-budget production, it is more than acceptable; has its share of grief, sensation and revenge on a small scale.
The revenge part could have been more colorful and the ending was like "guys, let's finish up and go have a deserving lunch...".
The revenge part could have been more colorful and the ending was like "guys, let's finish up and go have a deserving lunch...".
- Screenplay/storyline/plots: 4.5
- Production value/impact: 4.5
- Development: 5.5
- Realism: 5
- Entertainment: 6
- Acting: 5.5
- Filming/photography/cinematography: 6.5
- VFX: 7
- Music/score/sound: 6.5
- Depth: 4.5
- Logic: 2.5
- Flow: 5.5
- Thriller/drama: 4
- Ending: 3.5.
It is hard to believe they could make a movie as stupid as this. Any rating above 4 is an obvious fake.
The signs are there in every scene of this movie that it is complete nonsense. More flaws than the empire state building. Cringeworthy in every aspect. There are so many instances where you say - "as if you would do that". The whole mess is such a struggle to keep watching that eventually you begin the barrack for the bad guy. There are dumb characters the whole way through this - none more than the cops and the woman in the main role. Nothing gels in this movie, the characters are wrong and the script is embarrassing.
The signs are there in every scene of this movie that it is complete nonsense. More flaws than the empire state building. Cringeworthy in every aspect. There are so many instances where you say - "as if you would do that". The whole mess is such a struggle to keep watching that eventually you begin the barrack for the bad guy. There are dumb characters the whole way through this - none more than the cops and the woman in the main role. Nothing gels in this movie, the characters are wrong and the script is embarrassing.
Mary (Simone Kessell) is running in the woods when she is attacked by a hooded man. He is the serial killer, Diablo Killer (Andrew Howard), but she is no damsel in distress. She turns the table on him and takes him captive in her high tech home. Three years earlier, she is moving into her self-designed home with her husband and physically handicapped daughter.
This is a less competent Saw. The first half is rather boring. There isn't enough tension. The audience can assume what happened and it becomes a slow roll with the reveal. The movie needs to up the ante. Instead of a silly elaborate maze, the story can raise the stakes by the daughter being possibly alive and held captive. The only interesting part is the slow chase. A lot of this is a little dumb. Mary should have a gun at least.
This is a less competent Saw. The first half is rather boring. There isn't enough tension. The audience can assume what happened and it becomes a slow roll with the reveal. The movie needs to up the ante. Instead of a silly elaborate maze, the story can raise the stakes by the daughter being possibly alive and held captive. The only interesting part is the slow chase. A lot of this is a little dumb. Mary should have a gun at least.
Where to start?
Hard Home (2024) is an incoherent mess of an attempt at making a genre horror/thriller for the American market on a budget.
Firstly, let's put that to bed straight away; despite the terrible accents, the non-specific locations, the 'casual' dropping of state names and occasional costumes, this is not an American film. It just wants to be. And to anyone but the most casual viewer it is fooling no one.
Secondly, this is film-making by Xerox; from the writing to the editing and the direction, Hard Home just apes the movies it so desperately wants to be. There is no substance here; it is like a rough cocktail made from inferior, store brand alcohol.
Thirdly, flashbacks are no substitute for a good narrative structure; by constantly framing the story using flashbacks the effect is one that resembles the 'story-so-far' montage intros from a TV series.
Fourthly... oh why should I bother? Hard Home isn't worth the effort.
Please avoid this plastic turkey of a film.
Hard Home (2024) is an incoherent mess of an attempt at making a genre horror/thriller for the American market on a budget.
Firstly, let's put that to bed straight away; despite the terrible accents, the non-specific locations, the 'casual' dropping of state names and occasional costumes, this is not an American film. It just wants to be. And to anyone but the most casual viewer it is fooling no one.
Secondly, this is film-making by Xerox; from the writing to the editing and the direction, Hard Home just apes the movies it so desperately wants to be. There is no substance here; it is like a rough cocktail made from inferior, store brand alcohol.
Thirdly, flashbacks are no substitute for a good narrative structure; by constantly framing the story using flashbacks the effect is one that resembles the 'story-so-far' montage intros from a TV series.
Fourthly... oh why should I bother? Hard Home isn't worth the effort.
Please avoid this plastic turkey of a film.
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- Zorlu Ev
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 27 minutos
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- 2.39:1
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