These lines from final episode left a lasting effect on me. Somewhere, i sympathized with 'Se Jin' but largely was annoyed at his cowardice. This is a perfect cinematic experience for lovers of Korean Bl that is suitable for audience of all ages. Firstly, i appreciate JungHa for understanding his role so well, the right amount of denial masking occasional longing. Each frame, between male leads (tension) or brothers facing each other on the rooftop (trauma) or physical responses between hyungs (tandem), resonated with me quite well. Camera angles captured gestures meaningfully. The only short coming i found was the novice actor playing 'Tae Yi'. Emotional connect at certain times stooped down due to his stoic face. I hope he grabs an antagonist role soon. It wouldn't be an exaggeration to say that every chapter in this plot is a melody. Those who read, know it. The adaptation proved to be better than the manhua. I was not impressed by the style of art considering the availed tools in today's illustrative arena. This time we support Han Gyeom... (pyu..pyu...pyu..)
Theudio, 'Seo Joon's manager nim has a story for himself. Chukkaye, ja baksu....
Precision and discipline of Classical Music has always been considered superior to the improvisational swerve of Jazz. Advocating actuality of queer feelings (detested in most parts of Korean society) through a heartened impromptu, this drama rides you along the cherry blossoms on Nami island. Enjoy it.....
