Centrado nos funcionários da Casa Branca que lidam com um ataque iminente de mísseis contra os Estados Unidos, esse drama emocionante se desenrola em tempo real à medida que as tensões aumen... Ler tudoCentrado nos funcionários da Casa Branca que lidam com um ataque iminente de mísseis contra os Estados Unidos, esse drama emocionante se desenrola em tempo real à medida que as tensões aumentam.Centrado nos funcionários da Casa Branca que lidam com um ataque iminente de mísseis contra os Estados Unidos, esse drama emocionante se desenrola em tempo real à medida que as tensões aumentam.
- Prêmios
- 1 vitória e 6 indicações no total
Avaliações em destaque
This Film could've been 20 mins long.
The performances were all good, but knowing that this film isn't going to progress once you realise the ending in the first act left me feeling a little conned tbh. It's a shame because I think the drama up till then held my attention.
At the end of the movie, I was still waiting for the spark... even through the end credits.
The first act is exceptionally well-crafted - it grabs you, builds tension perfectly, and makes you believe something truly extraordinary is about to happen. Bigelow creates a pressing atmosphere from the very first minutes, with carefully framed shots and a rhythm that keeps you engaged.
But by the second act, everything begins to unravel. The film becomes harder to follow, the initial tension fades, and the experimentation with perspectives and angles starts to feel more tiring than engaging. Overall, it comes across as an experimental film that fails to maintain its initial promise.
Zero Dark Thirty was about the past. The Hurt Locker wasn't about the Iraq War; it was about the protagonist's personal drama. This film, on the other hand, resonates through tension and fear, showing how people live with uncertainty and danger in the present.
It's not just a story about war or the threat of nuclear disaster, but about the emotions and decisions of people under extreme pressure.
PS: Don't rush to criticize it as a total failure - the director's intention and the concept itself are not bad at all. The only problem is that the next two perspectives don't reach the level of the first. Had they managed that, it could have been a 10/10 film.
Waste of time
It's 3 times the same story with no added value.
They tried to do some artsy movie using the petal story structure, and utterly failed to deliver the whole point of a petal story structure.
Let down by its structure...
The film uses a flower narrative style. Which is a story told through differing perspectives that ideally come together like puzzle pieces to form a complete picture. When done right, this approach creates intrigue and mystery as each segment reveals something new. Unfortunately, that wasn't quite the case with "House of Dynamite."
Each perspective failed to add meaningful depth or new information to the overarching story. Instead, the same dialogue and moments were replayed multiple times, which quickly became repetitive and dull. I understand what the filmmakers were aiming for, but the execution never fully realized the potential of its structure. There were no fresh insights gained from the shifting perspectives just retreads of what we'd already seen.
The dialogue also felt overly on-the-nose and occasionally corny, with line deliveries that leaned too heavily into melodrama.
Where "House of Dynamite" truly shines is in its exploration of the moral and strategic decision making between individuals and departments. Those moments were far more engaging than the story's overall presentation.
In the end, "House of Dynamite" had the foundation of a great film, but its structural choices ultimately held it back from reaching its full potential.
Eh -- what to say about this one?
What another review calls a "flower narrative style" is not one of the ways that I care for a story to be told in film, but I do acknowledge that it has become somewhat fashionable in recent years. Additionally, the ending of the picture was as abrupt as it was deeply unsatisfying. I will not encourage anyone to watch it.
The Big List of Fall Movies 2025
The Big List of Fall Movies 2025
Você sabia?
- CuriosidadesThe title card "Hitting a bullet with a bullet" is shown over a reenactor from Gettysburg. Famously, there is an example of a bullet hitting a bullet and fusing together at the Gettysburg museum. According to legend, this happened during Pickett's Charge on July 3rd, 1863.
- Erros de gravaçãoIn the absence of any threat against the American nuclear deterrent, the nuclear command authority would very definitely put a counterstrike on hold for several hours at least, by default, because in the given scenario, they do not even know which nuclear power is attacking the USA. Once the nuclear event has occurred though, they can then have the fission products analyzed and compared to previous analyses from known sources, previous foreign nuclear tests, fission products in the exhaust of foreign nuclear facilities and such. All this data is on file. It would very probably at least reveal the source of the bomb fuel with great certainty.
- Citações
Carl Sagan voice over.: [From the trailer, Carl Sagan voice over.] Home. Everyone you love, everyone you know, everyone you ever heard of, lived out their lives on a mote of dust, suspended in a sunbeam. Think of the rivers of blood spilled by all those generals and emperors, so that in glory and triumph, they could become the momentary masters of a fraction of a dot. In our obscurity, there is no hint that help will come from somewhere else to save us from ourselves. The Earth is where we make our stand, It underscores our responsibility to preserve and cherish the only home we've ever known.
- ConexõesFeatured in CBS News Sunday Morning: Episode #47.41 (2025)
- Trilhas sonorasIn the Air Tonight
Written and Performed by Phil Collins
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 13.567
- Tempo de duração
- 1 h 52 min(112 min)
- Cor
- Mixagem de som
- Proporção
- 2.00 : 1






