Contrite

Like all good art, an open interpretation of what an artist, writer, or director is trying to convey sets the table for conversation, and with any luck, also sets the table with anticipation of future successes. "Contrite" clearly wishes to make a statement about love, loss and rising above what is out of our control. Yet in spite of clear production values across the board, the message gets a little lost as the film's main character Ryan Phillips, seeks understanding of his own personal devastation. Shannon Brown's raw and convincing performance as Ryan shows the confusion and desperation of a man who desperately needs closure and understanding after his wife's suicide. Of the film's other actors,those who play "themselves" are most convincing and menacing - an actual gang of thugs. As I watched, I kept hoping for an epiphany moment when the concept of the film gelled, but it didn't come. I don't know if this was an intentional conceit, but the film would benefit from Brown's character narrating his inner monologue, or perhaps an outpouring during one of the film's support group scenes. Writer/Director Andrew Cintron and the production team have clear technical ability, as the film is stellar in look and sound. However, in intimate projects such as this, there is a concrete triumvirate of essentials for success. The performances are there; the production values are there, but the third and most important portion - the story - is ALMOST there. It tries, but doesn't quite achieve the impact or insight that it should or could. That said, "Contrite" is certainly worth a watch. If you love experiencing the work of passionate new artists in the germinating stages of their respective careers, the film is definitely worth your time.