Although the subject of this short is particularly grim, I find myself constantly drawn to it. It has a certain minimalist attraction...very little dialogue and no underscoring(probably because of it being a relatively early sound subject and also so as not interfere with the boy's own music-making), and bleak and austere snow-driven sets. Stan and Ollie truly become victims of their dire circumstances and it is only the bizarre physical distortion at the end(Laurel was quite fond of such endings) that takes us out of our reality and back into theirs.