The magnificent Orson takes us on a whimsical tour of fakery that involves some real fakery, some fake fakery, some fake reality, and... You get the idea.
The point seems to be that all of life is an illusion. The question becomes how much illusion can we buy and how much becomes offensive. We see what we want to see. We ignore the rest.
Orson is in classic form here, reciting poetry with dramatic flare, theatrically roaming about Europe in a wide-brimmed black hat, black cape, and surrounded by a clowd of cigar smoke. Do we get an insight into the real Orson? Is there a real Orson? Is there any point asking?
Orson tilts his head at a humorous angle and looks at us out of the corner of his eyes -- and we are his willing victims in a delightful hoax. Or is it real?
The point seems to be that all of life is an illusion. The question becomes how much illusion can we buy and how much becomes offensive. We see what we want to see. We ignore the rest.
Orson is in classic form here, reciting poetry with dramatic flare, theatrically roaming about Europe in a wide-brimmed black hat, black cape, and surrounded by a clowd of cigar smoke. Do we get an insight into the real Orson? Is there a real Orson? Is there any point asking?
Orson tilts his head at a humorous angle and looks at us out of the corner of his eyes -- and we are his willing victims in a delightful hoax. Or is it real?