It's a while since I watched this, and what little I do remember is odd, to say the least (it is a Jarman film), so I won't try to go into detail, as I'd probably mis-remember something. All I will say is that it's a definite indicator as to which way Jarman went. Certainly not one for homophobes.
Visually striking (as is typical of Jarman), this film is best known for being the first film to be filmed entirely in Latin (The Holy Office (from Spain) in 1975 had some dialogue in Latin, but also Hebrew), and also for being Jarman's debut feature (he had worked on three pictures beforehand, including Ken Russell's The Devils, but this was his first directing job). As with most of Jarman's work, Sebastiane is very arthouse, and will rarely be played on television (Channel 4 here in the UK last played it a few years ago in a Jarman season). Next time it's on, do as I intend to do, and watch it.
Visually striking (as is typical of Jarman), this film is best known for being the first film to be filmed entirely in Latin (The Holy Office (from Spain) in 1975 had some dialogue in Latin, but also Hebrew), and also for being Jarman's debut feature (he had worked on three pictures beforehand, including Ken Russell's The Devils, but this was his first directing job). As with most of Jarman's work, Sebastiane is very arthouse, and will rarely be played on television (Channel 4 here in the UK last played it a few years ago in a Jarman season). Next time it's on, do as I intend to do, and watch it.