A man and his two sons rob a gold mine, killing several people in the process. High-tailing it to the Canadian border, they happen upon the off-road home of a young lady and her sleazy sexpot step-mother. The young girl falls in love with one of the robbers, and various situational weirdness ensues. The vague, under-developed story is expounded during flashbacks the girl has from a squalid sanitarium. These highly malapropos scenes are uproariously over-the-top, and look like some filthy nightmare from the Inquisition.
A head-spinning, ultra-trashy obscurity which seems to want to be set in the old west, though it's impossible to ascertain exactly what the time period actually is, SOUTH OF HELL MOUNTAIN is essentially a misfit dissenter from the ambit of western/melodrama films, but the demented, extrinsic asylum sequences border characteristically on grindhouse horror. Too well-groomed to categorize as "awful", its wandering inconsistencies and stylistically vacillating chaos lead me to believe that there were too many chefs involved in preparing this particular dish.
Uncurbed fans of cultish films should really give this one a bit more attention, mostly for its schismatic peculiarity...it's such an odd-one-out that it becomes strangely appealing as a defenseless bad-movie curio.
4.5/10
A head-spinning, ultra-trashy obscurity which seems to want to be set in the old west, though it's impossible to ascertain exactly what the time period actually is, SOUTH OF HELL MOUNTAIN is essentially a misfit dissenter from the ambit of western/melodrama films, but the demented, extrinsic asylum sequences border characteristically on grindhouse horror. Too well-groomed to categorize as "awful", its wandering inconsistencies and stylistically vacillating chaos lead me to believe that there were too many chefs involved in preparing this particular dish.
Uncurbed fans of cultish films should really give this one a bit more attention, mostly for its schismatic peculiarity...it's such an odd-one-out that it becomes strangely appealing as a defenseless bad-movie curio.
4.5/10