300 pounds of homicidal fury unleashes a blood-spattered torrent of terror!
18 January 2004
truly, this film amazes. how did this get made? who forked over the 2.50 for the video cassette to go in the camcorder? imagine a film made by your inbred relatives, the ones that find an evening at kentucky fried chicken to be the height of cuisine. then, make sure they're on drain-o when the camera light is on. scenes extend into the horizon. a man eats a candy bar for what seems to be hours. ethel experiences flashbacks to a higher-budgeted film. the film does, however, achieve a surreal, bbc science-fiction edge by intercutting between film and video. crazy fat ethel II is blessed, however, with one of those immediately fascinating titles. forgiveness comes easy to crazy fat ethel II. priscilla alden delivers a performance that is equal parts ham and thorazine-induced coma. the music for the "film" is fascinating...at first, i found it remarkable that nick phillips had managed to create such unique, throbbing gristle-esque vistas of sound...then i realized it's simply the ten-dollar mic trying desperately to capture every nuance of alden's vocal performance. when she bleats, "give me those pretzels, granny!" the film takes a colossal lunge toward greatness. in fact, i keep muttering it to myself, even though there's nary a pretzel or a grandmother in the house. one could extrapolate a fascinating political subtext in this film, as budget cuts in reagan's america force an obese, psychotic woman to kill again and again. can we see ethel janowski as our own bloated, selfish american ego? what? oh, you're right. it really is a piece of crap...but, mark my words, dub in it swedish, sell it as an art film about "the ugly american"...and you'd have a box-office bonanza.
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