The final chapter of the Journeyman Project series of games, it closes on a somewhat cheesy note but has better acting than most FMV games that I can name with some exceptions (noted below).
Jerry Rector as Gage Blackwood really doesn't do too much in this game, given that you are 'him' for all of the game. His cutscenes make him the square-jawed and stereotypical hero with less-wooden acting than most of his coworkers, if not by much.
The real highlight here is the actor who voiced Arthur, the wise-cracking AI who first appeared in the previous game of the series. He is, unlike the rest of the cast, not bound to stay in the setting of the game and is willing to mock it for what it is.
Each of the period scenes were, for the most part, acted with the quality of a 'B' movie: ethnic stereotypes were prevalent and highlighted, based on the Hollywood ideas of each culture (pseudo-Tibetan/Asian, pseudo-Greek, and pseudo-South American).
Despite these glaring flaws, the FMV flowed well and was of better quality than is usually found in games of this period.
Jerry Rector as Gage Blackwood really doesn't do too much in this game, given that you are 'him' for all of the game. His cutscenes make him the square-jawed and stereotypical hero with less-wooden acting than most of his coworkers, if not by much.
The real highlight here is the actor who voiced Arthur, the wise-cracking AI who first appeared in the previous game of the series. He is, unlike the rest of the cast, not bound to stay in the setting of the game and is willing to mock it for what it is.
Each of the period scenes were, for the most part, acted with the quality of a 'B' movie: ethnic stereotypes were prevalent and highlighted, based on the Hollywood ideas of each culture (pseudo-Tibetan/Asian, pseudo-Greek, and pseudo-South American).
Despite these glaring flaws, the FMV flowed well and was of better quality than is usually found in games of this period.