You'd think that any movie with June Allyson and Margaret O'Brien, Hollywood's two most famous "town criers," would be miserable, but "Music for Millions" is wonderful. Yes, there are tears. But with Jimmy Durante, there's also plenty to laugh about...and with Jose Iturbi there is plenty to sing about, although of course Iturbi plays, and doesn't sing.
Iturbi is the conductor of an orchestra whose male members are being swallowed into the war effort (by the end of the movie, there's only one man left in the orchestra besides Iturbi). Allyson is a bassist (NOT a cellist) who is pining away for her husband, missing in action in the Pacific. O'Brien is Allyson's baby sister "Mike," an eternal optimist and fiercely loyal to her sister. Durante is the manager, a frustrated musician himself and saddled with always making plans for things that you just can't make plans for.
Really, the star of the movie is the music itself, and it's some of the best you'll hear. Iturbi's "Clair de Lune" alone is enough to bring tears, and the first movement of Grieg's piano concerto--most of which we get to hear, when O'Brien isn't interrupting--is majestic. Durante has two numbers of his own, both hilarious reminders of why he was so well-liked.
I figure I'm pretty cynical, but even I was smiling through tears at the end. This is a terrific movie.
By the way, if you're interested in Jose Iturbi, please visit my new website, www.manyfountains.com to learn more about this great pianist and conductor.
Iturbi is the conductor of an orchestra whose male members are being swallowed into the war effort (by the end of the movie, there's only one man left in the orchestra besides Iturbi). Allyson is a bassist (NOT a cellist) who is pining away for her husband, missing in action in the Pacific. O'Brien is Allyson's baby sister "Mike," an eternal optimist and fiercely loyal to her sister. Durante is the manager, a frustrated musician himself and saddled with always making plans for things that you just can't make plans for.
Really, the star of the movie is the music itself, and it's some of the best you'll hear. Iturbi's "Clair de Lune" alone is enough to bring tears, and the first movement of Grieg's piano concerto--most of which we get to hear, when O'Brien isn't interrupting--is majestic. Durante has two numbers of his own, both hilarious reminders of why he was so well-liked.
I figure I'm pretty cynical, but even I was smiling through tears at the end. This is a terrific movie.
By the way, if you're interested in Jose Iturbi, please visit my new website, www.manyfountains.com to learn more about this great pianist and conductor.