Like any sweet, short story about murder and revenge, "LNS" likes to connect the dots. It's a healthy principle in screen writing (and in the writing of any sort of story) as long as one knows how to achieve a desired effect. And the desired effect is generally the long lasting effect.
LNS is a cool little joint of a movie, studded with stars galore. Which, of course, makes it a pleasurable view. Or at least for me it always does; how else could you define a film with Bruce Willis, Ben Kingsly and (the ever present, if I may say so) Morgan Freeman? Yeah, sure, stars generally ruin movies by being a part of them. But that's only the case if the movie tries to be a serious lesson of morale and virtue. Which LNS does not.
And that's why it's cool. A very well conceived popcorn flick, which connects all the dots in their eternal shallowness in the way it should. Nothing too fancy, nothing too subtle. Just enough for a good time. That is, if you enjoy having a good time without thinking too much about it and if you don't let yourself distracted by the twinkling bloody frames.
LNS is a cool little joint of a movie, studded with stars galore. Which, of course, makes it a pleasurable view. Or at least for me it always does; how else could you define a film with Bruce Willis, Ben Kingsly and (the ever present, if I may say so) Morgan Freeman? Yeah, sure, stars generally ruin movies by being a part of them. But that's only the case if the movie tries to be a serious lesson of morale and virtue. Which LNS does not.
And that's why it's cool. A very well conceived popcorn flick, which connects all the dots in their eternal shallowness in the way it should. Nothing too fancy, nothing too subtle. Just enough for a good time. That is, if you enjoy having a good time without thinking too much about it and if you don't let yourself distracted by the twinkling bloody frames.