I know this film was shown on local TV when I was a kid, but I can't remember whether I watched it or not; seeing it now, considering how utterly forgettable it is, I still don't know so I counted it as a first viewing! There have been several films featuring the title character, a creation of visionary French author Jules Verne; these include: 20,000 LEAGUES UNDER THE SEA (1954; with James Mason in the role), MASTER OF THE WORLD (1961; Vincent Price), MYSTERIOUS ISLAND (1961; Herbert Lom), CAPTAIN NEMO AND THE UNDERWATER CITY (1969; Robert Ryan) and THE MYSTERIOUS ISLAND OF CAPTAIN NEMO (1973; Omar Sharif).
This version stars Academy Award winner Jose' Ferrer. However, even if the premise itself isn't half-bad awakened from suspended animation in his submarine, "The Nautilus", and finding himself in modern times, Nemo adopts all his ingenuity to aid the U.S. Navy in defeating megalomaniac scientist Burgess Meredith it emerges as easily his most infantile adventure yet! For instance: five seconds into the film, Meredith's assistant donning a steel mask rants that "The World Shall Be Ours!"); equally hilarious are the zealous gesticulations of the similarly decked-out midget, whose task it is to fire The Professor's all-important "Delta Beam" - and how about those android-type minions aboard Meredith's vessel who never seem to do much of anything?!
Ferrer manages to maintain his dignity throughout, but Meredith is an embarrassment (in what is virtually a retread of his Penguin characterization from the 1960s BATMAN TV series and film) where the budget was so tight mostly invested in bland production design and shoddy special effects, no doubt, and both evidently influenced by STAR WARS (1977) that, apparently, they couldn't even afford him a decent costume (he looks positively idiotic wearing a tie in a sub)! The supporting cast includes Mel Ferrer (playing a saboteur in the vein of Joan Fontaine from another Irwin Allen production, VOYAGE TO THE BOTTOM OF THE SEA [1961], and who engages in a swashbuckling routine with his namesake inside the engine-room of "The Nautilus"), Lynda Day George (unsurprisingly, she's the only female character around) and Horst Buchholz (as the King Of Atlantis for whatever reason, Nemo is obsessed with locating the famed Lost Continent).
By the way, having been reduced from a three-part mini-series for theatrical exhibition, the film obviously feels choppy though one is still able to discern where one episode ended and another began.
This version stars Academy Award winner Jose' Ferrer. However, even if the premise itself isn't half-bad awakened from suspended animation in his submarine, "The Nautilus", and finding himself in modern times, Nemo adopts all his ingenuity to aid the U.S. Navy in defeating megalomaniac scientist Burgess Meredith it emerges as easily his most infantile adventure yet! For instance: five seconds into the film, Meredith's assistant donning a steel mask rants that "The World Shall Be Ours!"); equally hilarious are the zealous gesticulations of the similarly decked-out midget, whose task it is to fire The Professor's all-important "Delta Beam" - and how about those android-type minions aboard Meredith's vessel who never seem to do much of anything?!
Ferrer manages to maintain his dignity throughout, but Meredith is an embarrassment (in what is virtually a retread of his Penguin characterization from the 1960s BATMAN TV series and film) where the budget was so tight mostly invested in bland production design and shoddy special effects, no doubt, and both evidently influenced by STAR WARS (1977) that, apparently, they couldn't even afford him a decent costume (he looks positively idiotic wearing a tie in a sub)! The supporting cast includes Mel Ferrer (playing a saboteur in the vein of Joan Fontaine from another Irwin Allen production, VOYAGE TO THE BOTTOM OF THE SEA [1961], and who engages in a swashbuckling routine with his namesake inside the engine-room of "The Nautilus"), Lynda Day George (unsurprisingly, she's the only female character around) and Horst Buchholz (as the King Of Atlantis for whatever reason, Nemo is obsessed with locating the famed Lost Continent).
By the way, having been reduced from a three-part mini-series for theatrical exhibition, the film obviously feels choppy though one is still able to discern where one episode ended and another began.