'Saawariya' was one of those over-hyped films that I thought of skipping. Not because of the hype but because of Sanjay Leela Bhansali. Bhansali's debut venture 'Khamoshi The Musical' remains one of my favorite film. After that he made 'Hum Dil De Chuke Sanam' which for me was merely a one-time watchable film. This was followed by 'Devdas and 'Black' which were awful. The reason why I finally watched it was because I didn't have to pay. So what did I think? I didn't like the film.
On the technical side, 'Saawariya' is well made. The cinematography, lighting etc work are quite impressive. The set design is spectacular but looks fake (works for something like 'Moulin Rouge'). The film is set in some kind of France-Italy combo inhabited by Indians. For obvious reasons, Bhansali gives the film a blueish tint. However, 'Saawariya' is the kind of movie that required a more subtle treatment than the operatic loudness.
So where exactly does it fail? The story. There's no soul. It's extremely slow (and uninteresting as it's obvious what will happen) and knowing that it may have been ripped off from Visconti's 'Le Notti Bianche' doesn't do anything for the liking. The numerous references to the Kapoor family looks forced. Again, Bhansali presents the lead heroine as the flawless 'adarsh bharatiya naadi' (typical traditional Indian woman), who is coy and innocent, makes sacrifices and whatever. He did the same with Aishwarya and Madhuri in his previous films.
Sonam Kapoor is passable in some scenes but in other scenes it appears as if she's on weed, e.g. especially because of her constant giggling. Perhaps this is a reference to some kind of madness as Imaan may be a 'symbolic' representation of that (suggesting that Imaan does not exist). However, this aspect is not explored and why would Imaan be a representation of madness? The character is one of the dullest I've seen in recent cinema and the viewer is left wondering what it was about Imaan that got Sakina so obsessed. Say even, if Sakina was mad, her acting out of the symptoms looks unreal. Yet, there may be room for improvement depending on her future film choices and directors. Ranbir Kapoor really overdoes his act, trying too much to look lovable and sympathetic. I can see that the actor really is trying (perhaps too much) but his expressions and moves just don't look natural and all those references to RK movies flooding the screen do not help. Salman Khan personifies wooden. In a small role, Zohra Sehgal is okay. In the end, it is Rani Mukherjee's performance that leaves an impact. She is absolutely fantastic. Her scenes really are worthwhile. She completely nails the part. Although in that same year, she does play a prostitute in 'Laaga Chunari Mein Daag', the actress really does make both characters unique. She looks and acts the part (looking pretty hot).
Although I didn't like the film, there were a few enjoyable moments (that I mentioned above) and I was doing something else at the same time, so it wasn't a full waste of hours. I can see why many would like the film because it is pretty to look at but it has no heart. In my opinion, 'Saawariya' is forgettable and it does not deserve more than a one-time watch.
On the technical side, 'Saawariya' is well made. The cinematography, lighting etc work are quite impressive. The set design is spectacular but looks fake (works for something like 'Moulin Rouge'). The film is set in some kind of France-Italy combo inhabited by Indians. For obvious reasons, Bhansali gives the film a blueish tint. However, 'Saawariya' is the kind of movie that required a more subtle treatment than the operatic loudness.
So where exactly does it fail? The story. There's no soul. It's extremely slow (and uninteresting as it's obvious what will happen) and knowing that it may have been ripped off from Visconti's 'Le Notti Bianche' doesn't do anything for the liking. The numerous references to the Kapoor family looks forced. Again, Bhansali presents the lead heroine as the flawless 'adarsh bharatiya naadi' (typical traditional Indian woman), who is coy and innocent, makes sacrifices and whatever. He did the same with Aishwarya and Madhuri in his previous films.
Sonam Kapoor is passable in some scenes but in other scenes it appears as if she's on weed, e.g. especially because of her constant giggling. Perhaps this is a reference to some kind of madness as Imaan may be a 'symbolic' representation of that (suggesting that Imaan does not exist). However, this aspect is not explored and why would Imaan be a representation of madness? The character is one of the dullest I've seen in recent cinema and the viewer is left wondering what it was about Imaan that got Sakina so obsessed. Say even, if Sakina was mad, her acting out of the symptoms looks unreal. Yet, there may be room for improvement depending on her future film choices and directors. Ranbir Kapoor really overdoes his act, trying too much to look lovable and sympathetic. I can see that the actor really is trying (perhaps too much) but his expressions and moves just don't look natural and all those references to RK movies flooding the screen do not help. Salman Khan personifies wooden. In a small role, Zohra Sehgal is okay. In the end, it is Rani Mukherjee's performance that leaves an impact. She is absolutely fantastic. Her scenes really are worthwhile. She completely nails the part. Although in that same year, she does play a prostitute in 'Laaga Chunari Mein Daag', the actress really does make both characters unique. She looks and acts the part (looking pretty hot).
Although I didn't like the film, there were a few enjoyable moments (that I mentioned above) and I was doing something else at the same time, so it wasn't a full waste of hours. I can see why many would like the film because it is pretty to look at but it has no heart. In my opinion, 'Saawariya' is forgettable and it does not deserve more than a one-time watch.