Virgin Spring, The (1960)
**** (out of 4)
Ingmar Bergman's classic (and influential) film about three brothers, two of whom rape and kill a young girl only to end up at the girl's house later that night where her father (Max von Sydow) seeks vengeance. This was my second viewing of this film and it was certainly better this second time even though I loved it on the first viewing. As I said last year, Wes Craven's The Last House on the Left and the Italian shocker House on the Edge of the Park ripped this film off quite heavily and went over the top with graphic violence, gore, nudity and everything else imaginable yet these cheap shock thrills can't hold a candle to this film. This is masterfully directed and contains so much power that very few directors could have pulled it off. The eerie and haunting rape scene is very casual yet contains extreme power. The revenge sequence as well as the conclusion are also very subtle but pack a wonderful punch. I think it was a great choice for these scenes to play out without the use of a music score. This really helps the bitterness and creepiness of the film. A perfect atmosphere and brilliant performances really push this film over the top. von Sydow doesn't say much here but his acting with his eyes and body jesters are priceless.
**** (out of 4)
Ingmar Bergman's classic (and influential) film about three brothers, two of whom rape and kill a young girl only to end up at the girl's house later that night where her father (Max von Sydow) seeks vengeance. This was my second viewing of this film and it was certainly better this second time even though I loved it on the first viewing. As I said last year, Wes Craven's The Last House on the Left and the Italian shocker House on the Edge of the Park ripped this film off quite heavily and went over the top with graphic violence, gore, nudity and everything else imaginable yet these cheap shock thrills can't hold a candle to this film. This is masterfully directed and contains so much power that very few directors could have pulled it off. The eerie and haunting rape scene is very casual yet contains extreme power. The revenge sequence as well as the conclusion are also very subtle but pack a wonderful punch. I think it was a great choice for these scenes to play out without the use of a music score. This really helps the bitterness and creepiness of the film. A perfect atmosphere and brilliant performances really push this film over the top. von Sydow doesn't say much here but his acting with his eyes and body jesters are priceless.