I believe good directors are great Narrators. That is what enables them to breathe life into a mere series of scenes. And when the story being told is their own or perhaps very close to them, they break the surly bonds of commercial success themes and formulas. Movie then becomes a ruthless pursuit to expose and convey the most naked emotions buried within the story. Many times such an attempt becomes an awkward experience for us as a viewer. Sometimes it turns into a masterpiece. Rockstar is the latter.
This movie, too, is a signature imtiaz Ali movie where he yet again explores the most famous four lettered invention called "Love". However, this time its portrayed as an unverbalized camaraderie between a Jim Morrison idolizing artist, yearning to be a Rockstar, and a College sweetheart soon to be married off into affluence. Janardhan Jhakar (Ranbir K), is searching for a heartbreak to happen as it will fuel his creativity and hence his dream to be a rockstar. He bumps into Heer (Nargis Fakhri), believing getting dumped by her should seal the deal. But mindless fooling around soon blossoms undetected and before they know has grown into a chronic tumor of love.
By the time they realize this its too late. Though it may seem formulaic, Imtiaz's treatment of the subject is very unique. So much that it transcends from a Raw human emotion to borderline supernatural and yet seems very beautifully plausible. People complain about a slow second half have missed the point. I guess they were waiting for something to happen while missing to savor some of the most beautiful unsaid portrayals of love.
Imtiaz experiments with non-linear editing in this one and has done some really cool stuff. Its like a novel which tells you in the first 5 lines that the protagonists dies in the end and grips the reader wondering how did that come to pass. The Cinematography too is brilliant and has produced one of the most memorable scenes of Bollywood cinema. At least for me. To top it all off is a shell of fresh and innocent humor which helps the movie remain easy going and yet not loose its depth.
Ranbir has arguably done a marvelous job, for his role is that of silent anguish, which can easily become one of a chronic constipation in the hands of a clumsy actor. He has also done one of the most close to reality portrayal of a guitarist within Bollywood and should be given credit for that.(looking at Rampal in rock on). Nargis is a Newcomer and is just that, a novice, however she is as beautiful as she is delicate and portrays her character well enough.
Last but not the Least, A R Rehman, trademarks the soundtrack with Kun Faya and cranks up the distortion with Saada Haq. (it has liberal sprinkling of guitar riffs and some good ones at that). Orianthi lends her gifted talent to this song. The Music is a true soul of the movie.
With a climax which can send jitters into many Bollywood directors this movie is definitely a feather in imtiaz Ali's Cap.
A Must watch by me, but then I am a sucker for Imtiaz Ali movies, hence a Pinch of salt is advised.
This movie, too, is a signature imtiaz Ali movie where he yet again explores the most famous four lettered invention called "Love". However, this time its portrayed as an unverbalized camaraderie between a Jim Morrison idolizing artist, yearning to be a Rockstar, and a College sweetheart soon to be married off into affluence. Janardhan Jhakar (Ranbir K), is searching for a heartbreak to happen as it will fuel his creativity and hence his dream to be a rockstar. He bumps into Heer (Nargis Fakhri), believing getting dumped by her should seal the deal. But mindless fooling around soon blossoms undetected and before they know has grown into a chronic tumor of love.
By the time they realize this its too late. Though it may seem formulaic, Imtiaz's treatment of the subject is very unique. So much that it transcends from a Raw human emotion to borderline supernatural and yet seems very beautifully plausible. People complain about a slow second half have missed the point. I guess they were waiting for something to happen while missing to savor some of the most beautiful unsaid portrayals of love.
Imtiaz experiments with non-linear editing in this one and has done some really cool stuff. Its like a novel which tells you in the first 5 lines that the protagonists dies in the end and grips the reader wondering how did that come to pass. The Cinematography too is brilliant and has produced one of the most memorable scenes of Bollywood cinema. At least for me. To top it all off is a shell of fresh and innocent humor which helps the movie remain easy going and yet not loose its depth.
Ranbir has arguably done a marvelous job, for his role is that of silent anguish, which can easily become one of a chronic constipation in the hands of a clumsy actor. He has also done one of the most close to reality portrayal of a guitarist within Bollywood and should be given credit for that.(looking at Rampal in rock on). Nargis is a Newcomer and is just that, a novice, however she is as beautiful as she is delicate and portrays her character well enough.
Last but not the Least, A R Rehman, trademarks the soundtrack with Kun Faya and cranks up the distortion with Saada Haq. (it has liberal sprinkling of guitar riffs and some good ones at that). Orianthi lends her gifted talent to this song. The Music is a true soul of the movie.
With a climax which can send jitters into many Bollywood directors this movie is definitely a feather in imtiaz Ali's Cap.
A Must watch by me, but then I am a sucker for Imtiaz Ali movies, hence a Pinch of salt is advised.