"Das Wachsfigurenkabinett" (1924) is Herr Paul Leni's most well-known film during his German period. Its probably the most representative of his artistic virtues, an oeuvre composed of three episodes ( although Herr Leni planned a fourth episode that never was done ) in where an imaginative writer ( Herr Wilhelm Dieterle ) applied for publicity work in a waxworks exhibition in which he is commanded to write startling tales about three different wax figures: Ivan the Terrible, Czar of all the Russias ( Herr Conrad Veidt ), Haroun Al Raschid, Caliph of Bagdad ( Herr Emil Jannings ) und the murderer Spring Heeled Jack ( Herr Werner Krauss ). The young writer and the showman's daughter ( Frau Olga Belejeff ) link the three different episodes.
The three episodes are stylistically and technically very different from each other and certainly Herr Leni explored his most imaginative resources and fond subjects ( oneiric décors connected with fantastic subjects ) using them appropriately to fit the characteristics of the story depicted in the episode in question.
The first one, which relates the story of the satyr and easy-going Caliph of Bagdad, features the beautiful and evocative décors that apprehend the necessary mood for an episode in which humour and parody over the iconic Western view of an idealized Arab atmosphere. The classic adventures that inspired them, is in the air, benefiting the episode with such exaggerated tastes which are absolutely charming; Herr Jannings certainly enjoys a lot such parody role.
The second episode depicts Ivan the terrible as a merciless monarch who ruled the Russian empire with an iron fist by subjecting the citizens to severe cruelty. This time Herr Leni combine drama with fantastic elements, achieving a bizarre and disturbing atmosphere. Again a superb actor, as it happened in the preceding episode steals the picture thanks to his magnetic and fascinating presence.
Once again, the décors are outstanding although this time Herr Leni uses these in a "conventional" way. That is to say, in order to illustrate in a careful and more realistic way, the characteristics of the Russian empire of the time, the German director leaves the most fantastic aspects of the story for the torture chamber sequences and its terrible ending.
The third episode is Expressionism at its best, or maybe this Herr Graf should say that is a homage to Expressionism (on the other hand, the same that happens with the other two episodes in where the main subject are treated in a hyperbolic stylistic way ).
This time, the imaginative writer has a terrible nightmare in which he is chased by Spring Heeled Jack. Herr Leni takes advantage of such an oneiric atmosphere in an episode that technically is more complex than the other two. He uses double exposures and special effects in a continuous nightmarish sequence in which quintessential "Expressionism" is displayed in an effective and accomplished way.
"Das Wachsfigurenkabinett" is certainly a condensed version of Herr Leni's artistic achievements. It's an excellent example of his many skillful virtues and stylistic resources, stamped with his particular and fascinating own imaginary.
And now, if you'll allow me, I must temporarily take my leave because this German Count must remove in a Teutonic way the depilatory wax from the whole body of one of this Herr Graf's rich heiress.
The three episodes are stylistically and technically very different from each other and certainly Herr Leni explored his most imaginative resources and fond subjects ( oneiric décors connected with fantastic subjects ) using them appropriately to fit the characteristics of the story depicted in the episode in question.
The first one, which relates the story of the satyr and easy-going Caliph of Bagdad, features the beautiful and evocative décors that apprehend the necessary mood for an episode in which humour and parody over the iconic Western view of an idealized Arab atmosphere. The classic adventures that inspired them, is in the air, benefiting the episode with such exaggerated tastes which are absolutely charming; Herr Jannings certainly enjoys a lot such parody role.
The second episode depicts Ivan the terrible as a merciless monarch who ruled the Russian empire with an iron fist by subjecting the citizens to severe cruelty. This time Herr Leni combine drama with fantastic elements, achieving a bizarre and disturbing atmosphere. Again a superb actor, as it happened in the preceding episode steals the picture thanks to his magnetic and fascinating presence.
Once again, the décors are outstanding although this time Herr Leni uses these in a "conventional" way. That is to say, in order to illustrate in a careful and more realistic way, the characteristics of the Russian empire of the time, the German director leaves the most fantastic aspects of the story for the torture chamber sequences and its terrible ending.
The third episode is Expressionism at its best, or maybe this Herr Graf should say that is a homage to Expressionism (on the other hand, the same that happens with the other two episodes in where the main subject are treated in a hyperbolic stylistic way ).
This time, the imaginative writer has a terrible nightmare in which he is chased by Spring Heeled Jack. Herr Leni takes advantage of such an oneiric atmosphere in an episode that technically is more complex than the other two. He uses double exposures and special effects in a continuous nightmarish sequence in which quintessential "Expressionism" is displayed in an effective and accomplished way.
"Das Wachsfigurenkabinett" is certainly a condensed version of Herr Leni's artistic achievements. It's an excellent example of his many skillful virtues and stylistic resources, stamped with his particular and fascinating own imaginary.
And now, if you'll allow me, I must temporarily take my leave because this German Count must remove in a Teutonic way the depilatory wax from the whole body of one of this Herr Graf's rich heiress.