1/10
Like the Matt Helm series, nothing left worth watching.....
11 September 2013
Come with me to the wonderful world of 60s spy fiction. Emboldened by the success of the Bond books and movies (Fleming wrote his novels on the beach, literally, with hunt and peck typing) the world enjoyed the greatest variety of spy fiction ever seen, present day included. Two of the most popular and critically-praised tomes, the Matt Helm series by Donald Hamilton, and the consummately perfect Jonas Wilde series by Andrew York, were serially destroyed by producers who were more interested in showing how clever they were than trying to capture the essence of the story. Jonas Wilde, as written, was a spy so well drawn that, in a showdown, you might pick him over Bond. No gadgets, no women, just a physical zeal to get the job done, and a rare (perfected) judo move which allowed him to kill with one blow (most of the time, often his back went out which reduced him to a mere mortal). This was the one and only attempt to bring Wilde to the screen, based on The Eliminator (one of the Wilde series, they are all excellent) and it is nothing short of wretched. Badly written, badly directed, showing no appreciation for the uniqueness of the character, and the lead actor so badly miscast that you wonder if he ever stopped mugging for the camera long enough to actually put some personality into his role. A travesty.
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