Flagged on the IMDb as "American," this is yet another in the long (too long) line of Canadian knockoffs posing as something they are not.
Produced by a Vancouver production house specializing in projects with "strong female characters," starring Canadian actress Gloria Reuben (as the lead FBI investigator) and also starring "token" American David Arquette (the killer), this film pretty much is the poster child for 100% forgettable "poseur" films from the Frozen North.
As far as this reviewer can tell, Reuben has never carried an entire film on her back before. And this may be the last time she gets the chance.
Arquette has played baddies before, but is lost here with weak writing and direction. He struggles in the role.
One single example if I may be permitted: when Reuben's character receives a hand-written letter from the Happy Face killer -- with a happy face as the return address -- you might expect her (if you are a regular film goer) to wear gloves and call a CSI before opening it...? You would be wrong. In this script, in this sloppy production, she opens it with the gusto and abandon a 12 year old would reserve for a Big Mac.
Prints? Forensics? That is something you see only in "real" movies.
Which this is not.
Produced by a Vancouver production house specializing in projects with "strong female characters," starring Canadian actress Gloria Reuben (as the lead FBI investigator) and also starring "token" American David Arquette (the killer), this film pretty much is the poster child for 100% forgettable "poseur" films from the Frozen North.
As far as this reviewer can tell, Reuben has never carried an entire film on her back before. And this may be the last time she gets the chance.
Arquette has played baddies before, but is lost here with weak writing and direction. He struggles in the role.
One single example if I may be permitted: when Reuben's character receives a hand-written letter from the Happy Face killer -- with a happy face as the return address -- you might expect her (if you are a regular film goer) to wear gloves and call a CSI before opening it...? You would be wrong. In this script, in this sloppy production, she opens it with the gusto and abandon a 12 year old would reserve for a Big Mac.
Prints? Forensics? That is something you see only in "real" movies.
Which this is not.