a film who could represent , for many viewers, an enigma. because it reflects a moment from a long history of a people. because it propose the end of a fight. because it has as receiver the public who knows the past of Crimean Tatars and only rediscovers the pain, the injustice, the cruelty of a decision who remains uncured. the case of Amehdan is only a crumb from the tragic deportation of one of populations from Soviet Union. and only the music, the slices of tradition, the scenes from village and the wedding remands the specificity of drama. that fact transforms the film only in homage to the families - victims under Stalin's regime. and that could be its error. and virtue. because , as start point for research, Khaytarma could be useful. not only for understand the tragedy of Tatar's deportation. but for understand a system for who the people are only details. in many occasions, insignificant details. Khaytarma is a beautiful film. and a touching homage. but, more important, it is a warning. as each testimony about the pain from the past.