'Phantom Lady' (retitled in my country as 'Witness wanted') is a little gem for anyone who appreciates 1940s film noir. It need not feature any of the big stars (Bogart, Cagney, Laughton, Ladd etc.), because its strengths are its excellent b/w photography and an interesting story that doesn't rely on predictable clichés of the genre.
Scott Henderson (Alan Curtis) is arrested for the murder of his wife. He is completely innocent, since he spent the evening at a theater with an unknown woman he invited after he met her at a bar (yes, his marriage has seen better days). But when asked for an alibi, not only that 'phantom lady' has disappeared, also several witnesses deny to have seen him with her. Thus, he's thrown into jail, and only his secretary (Ella Raines) and inspector Burgess (Thomas Gomez) don't give up the investigation. When Marlow (Franchot Tone), an old friend of Henderson, offers his assistance, the investigation is taking up speed, but meanwhile another witness was murdered. How can they defend Henderson without witnesses?
What I liked especially about 'Phantom Lady' is that there is no actual hero. Henderson is giving up, sits in his prison cell all day and doesn't show any hope. It's almost like he wants to be imprisoned for something he didn't do. So it's really the secretary who becomes the central character, driving the search for the real murderer. Quite unusual for the times and well worth watching.
Scott Henderson (Alan Curtis) is arrested for the murder of his wife. He is completely innocent, since he spent the evening at a theater with an unknown woman he invited after he met her at a bar (yes, his marriage has seen better days). But when asked for an alibi, not only that 'phantom lady' has disappeared, also several witnesses deny to have seen him with her. Thus, he's thrown into jail, and only his secretary (Ella Raines) and inspector Burgess (Thomas Gomez) don't give up the investigation. When Marlow (Franchot Tone), an old friend of Henderson, offers his assistance, the investigation is taking up speed, but meanwhile another witness was murdered. How can they defend Henderson without witnesses?
What I liked especially about 'Phantom Lady' is that there is no actual hero. Henderson is giving up, sits in his prison cell all day and doesn't show any hope. It's almost like he wants to be imprisoned for something he didn't do. So it's really the secretary who becomes the central character, driving the search for the real murderer. Quite unusual for the times and well worth watching.