1/10
Thank God It's Over!
31 January 2017
That's what I said as the end titles rolled.

This film is nothing more than a drawn out promotion of Donna Summer and The Commodores and a bunch of other contracted artists on the Casablanca and Motown record labels.

What little there is of a plot is risible. The dialog is dreadfully amateurish and I pity the few name actors trying to work with it. Most of them simply phone in their lines.

Andrea Parker makes the best of a bad lot.

Leonard Maltin summed it up perfectly when he declared it to be 'perhaps the worst film ever to have won some kind of Academy Award'.

Simply awful.
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