4/10
The caressing camera still can't draw substance from these vacuous characters
7 September 2017
Revered for his minimalist approach to cinema, writer-director Robert Bresson shows an unerring artistic eye for his surroundings in this French-Italian co-production (in French with English subtitles); however, he stumbles with this pallid script (inspired by Dostoyevsky's short story "White Nights") about two young people in Paris. It's a flashback-heavy non-romance between a starving artist and a suicidal girl. After stopping her from leaping from a bridge, the painter finds himself drawn to the girl during an intimate conversation wherein they reveal to each other their past and present regrets (she's still pining for her fickle lover). Bresson and cinematographer Pierre Lhomme do capture lyrical, lazy bits of business--and sensual, though not particularly erotic, female nudes. Unfortunately, the characters never take shape, and the amateur actors (a Bresson specialty) aren't compelling. ** from ****
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