The two hours come across as a tantalizing version of the classic Henry James novelette. To me, the story appears more a psychological mystery then a ghostly horror tale. But either way, the results are fascinating, though I can see why viewers preferring cut-and-dried story lines might be unhappy with the results.
A well-meaning governess Miss Cubberly is hired into an English country mansion to tutor two young children. While there, she's drawn into a web of creepy events. The young brother and sister are beautiful and charming, but perhaps they are also possessed by the evil spirits of dead former governess Miss Jessel and dead former house valet Quint. On the other hand, perhaps the ghostly visitations are actually mental projections of the new governess about whom we crucially know very little. For example, she certainly appears consumed with her charges welfare, but is she also mingling their behavior with her own deep-seated confusions about innocence and sex. Does she, for example, confusingly blend the sexual libertine Quint with the budding adolescent Miles.
Story here is foremost. There's no real interest in mood, or even Technicolor ornaments. Instead, we're riveted to the characters, minus peripheral distractions. Acting-wise, Redgrave's just right for the well-meaning governess, though I would have preferred a little more ambiguity in some of her behavior. Stealing the film, however, is young Jasper Jacob as Miles. I don't know that I've ever seen one so young (14) convey such a sense of wickedness, particularly with his gimlet shaped eyes. Several of his scenes with the mature Redgrave are unusually unsettling in their teetering sexuality.
I've read James' novelette, but had a hard time with the congested prose, which I assume was meant to provide insight into the governess's mental state. Nonetheless, the book was, like the movie, oddly captivating to the end. And as an exercise in dark psychology, I don't think I've read or seen anything more mysteriously tantalizing. So, if you don't mind ambiguities, catch up with this little exercise.
A well-meaning governess Miss Cubberly is hired into an English country mansion to tutor two young children. While there, she's drawn into a web of creepy events. The young brother and sister are beautiful and charming, but perhaps they are also possessed by the evil spirits of dead former governess Miss Jessel and dead former house valet Quint. On the other hand, perhaps the ghostly visitations are actually mental projections of the new governess about whom we crucially know very little. For example, she certainly appears consumed with her charges welfare, but is she also mingling their behavior with her own deep-seated confusions about innocence and sex. Does she, for example, confusingly blend the sexual libertine Quint with the budding adolescent Miles.
Story here is foremost. There's no real interest in mood, or even Technicolor ornaments. Instead, we're riveted to the characters, minus peripheral distractions. Acting-wise, Redgrave's just right for the well-meaning governess, though I would have preferred a little more ambiguity in some of her behavior. Stealing the film, however, is young Jasper Jacob as Miles. I don't know that I've ever seen one so young (14) convey such a sense of wickedness, particularly with his gimlet shaped eyes. Several of his scenes with the mature Redgrave are unusually unsettling in their teetering sexuality.
I've read James' novelette, but had a hard time with the congested prose, which I assume was meant to provide insight into the governess's mental state. Nonetheless, the book was, like the movie, oddly captivating to the end. And as an exercise in dark psychology, I don't think I've read or seen anything more mysteriously tantalizing. So, if you don't mind ambiguities, catch up with this little exercise.