An excellent moral has been aimed at in this two-part picture from the Gaumont studios. Considerable of its force has, however, been obliterated by the fact that its subtitles are more sentimental than practical. The story and its intent are good, but its development is not vividly realistic, and leaves the impression that sentiment has predominated. The effect would have been much better if the tendency toward the allegorical had been altogether eliminated. - The Moving Picture World, May 8, 1915