I was very taken by this subversive, slow-burn sci-fi about immigration and the Haves and Have-Nots. It has a well-executed, almost noir aesthetic (shot by Destroyer's Julie Kirkwood), solid acting, strong editing, and an excellent, brooding score. As a first feature filmmaker, Aleem Hossain has shown amazing potential with what he can do on a tiny budget. And seeing how many awards the film picked up at sci-fi festivals, it's clear the tastemakers agree this film is a noteworthy addition to the genre. Its ponderous tone may not be for the action-loving crowd - it's more Kelly Reichardt than James Cameron - but if you like thoughtful SF, definitely check it out.