Simon Brent ("Softly Softly") stars here as Paul Greville, an artist / photographer on an outing in the Bavarian countryside. He becomes smitten with Anna (Neda Arneric, "Shaft in Africa"), a mysterious young beauty who really is something of a puzzle. He also finds locals who are deeply into superstition and who mostly prevent him from having a warm welcome.
It's best not to know too much about the story (concocted by Donald & Derek Ford, "A Study in Terror") going in, because then at least the viewer can be rightfully amused at the places that "Venom" goes. It doesn't mean that the story is airtight - far from it. But it does an entertaining job of utilizing "folk horror" elements and eventually introducing mad scientist tropes. Best of all is the excellent European atmosphere, although the music score (composed by John Simco Harrison) is simply wonderful, and the ethereal attractiveness of the Yugoslavian-born Arneric (just 17 or 18 at the time) is a real selling point.
The solid European cast also includes the sexy Sheila Allen ("Love Actually"), an effectively brutish Derek Newark ("The Blue Max"), Terence Soall ('Our Miss Pemberton') as the nefarious Lutgermann, Gerard Heinz ("The Fallen Idol") as the amiable Huber, and Gertan Klauber ("Top Secret!") as eager-to-please innkeeper Kurt. Brent is a reasonably engaging hero who refuses to be intimidated, although the antagonists do their best at keeping him in line. For example, he's tied up in the forest with a tarantula for company. The imagery and visuals are enjoyable: one of the hooks here is that spiders are part of the iconography of this region.
Overall, "Venom" supplies agreeable entertainment, somewhat along the lines of typical Hammer fare. Unsurprisingly, "Venom" director Peter Sykes went on to direct the Hammer pictures "Demons of the Mind" and "To the Devil...a Daughter".
It's probably best if one doesn't take this one too seriously. Otherwise, people may find themselves getting annoyed with the muddled tale being told.
Seven out of 10.
It's best not to know too much about the story (concocted by Donald & Derek Ford, "A Study in Terror") going in, because then at least the viewer can be rightfully amused at the places that "Venom" goes. It doesn't mean that the story is airtight - far from it. But it does an entertaining job of utilizing "folk horror" elements and eventually introducing mad scientist tropes. Best of all is the excellent European atmosphere, although the music score (composed by John Simco Harrison) is simply wonderful, and the ethereal attractiveness of the Yugoslavian-born Arneric (just 17 or 18 at the time) is a real selling point.
The solid European cast also includes the sexy Sheila Allen ("Love Actually"), an effectively brutish Derek Newark ("The Blue Max"), Terence Soall ('Our Miss Pemberton') as the nefarious Lutgermann, Gerard Heinz ("The Fallen Idol") as the amiable Huber, and Gertan Klauber ("Top Secret!") as eager-to-please innkeeper Kurt. Brent is a reasonably engaging hero who refuses to be intimidated, although the antagonists do their best at keeping him in line. For example, he's tied up in the forest with a tarantula for company. The imagery and visuals are enjoyable: one of the hooks here is that spiders are part of the iconography of this region.
Overall, "Venom" supplies agreeable entertainment, somewhat along the lines of typical Hammer fare. Unsurprisingly, "Venom" director Peter Sykes went on to direct the Hammer pictures "Demons of the Mind" and "To the Devil...a Daughter".
It's probably best if one doesn't take this one too seriously. Otherwise, people may find themselves getting annoyed with the muddled tale being told.
Seven out of 10.