Hard to understand the mediocre reviews for this classic. Don't be put off - The Gentle Gunman is a must-see.
The story is engrossing - reminiscent of better-known Irish-revolution films like Odd Man Out and The Informer, and every bit their equal. The two brothers - one headstrong, the other cool and clever - are perfectly matched in a love-hate duel to the death.
The casting is hard to beat - John Mills and Dirk Bogarde together in one film. Wow. The supporting parts are excellent as well, especially Elizabeth Sellars in an unusually negative role.
Then there's Basil Dearden, one of the best UK directors of the 1950s, doing what is surely his best work ever. The photography is breathtaking, especially the scenes out in the hills of Ireland. These contrast perfectly with the dark and gritty scenes in London.
Unlike so many films dealing with the IRA, The Gentle Gunman manages to embrace both heartbreak and hope, while detouring expertly from the obvious love and revenge subplots.
I don't hand out 10/10 ratings lightly, but in this case it's barely sufficient.
The story is engrossing - reminiscent of better-known Irish-revolution films like Odd Man Out and The Informer, and every bit their equal. The two brothers - one headstrong, the other cool and clever - are perfectly matched in a love-hate duel to the death.
The casting is hard to beat - John Mills and Dirk Bogarde together in one film. Wow. The supporting parts are excellent as well, especially Elizabeth Sellars in an unusually negative role.
Then there's Basil Dearden, one of the best UK directors of the 1950s, doing what is surely his best work ever. The photography is breathtaking, especially the scenes out in the hills of Ireland. These contrast perfectly with the dark and gritty scenes in London.
Unlike so many films dealing with the IRA, The Gentle Gunman manages to embrace both heartbreak and hope, while detouring expertly from the obvious love and revenge subplots.
I don't hand out 10/10 ratings lightly, but in this case it's barely sufficient.