Feludar Goyendagiri (2022–2024)
6/10
I want good old Srijit Da back
17 June 2022
It's been almost two years since I laid my eyes on a Feluda feature. Earlier it was with Chinnomostar Ovisaap, which by the way I adored despite others criticizing it heavily although this time around, I'm not that convinced, let's just say, I have had mixed reactions to it.

Whilst, I did cherish the chemistry in-between the three main protagonists (or Three Musketeers as Lalmohan Ganguly likes to call themselves); at the same time, I would have preferred if the writing was more productive.

It's a very simple story, a rudimentary narrative, so to speak; hence, and I'm sure all the people who will watch the show, amongst them, a vast majority will be Feluda fanatics and have already read the book. Therefore, at the end of the day, it all boils down to the execution (as we all are pretty much aware of the happenings) and how and in what way the director decides to adapt the original novel into a cinematic contour.

And I feel, that is precisely where Srijit Mukherjee has committed a few blunders. On one hand, he did manage to safeguard as well as maintain the conventional flavors of Feluda (by staying true to the source material) but on the other hand, he did miscalculate and took some erratic steps that just cannot be condoned.
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