There is a kind of subtle trilogy of cult classics and subtle fantasy; Man facing Southeast (1986) The Man from Earth (2007) and Fiendship's Death (1987) I have to confess that I've seen them recently and I loved them very much because of what they have in common: the way in which the movie deals with that which has about science fiction. They base their speech on the dialogues and avoid making use of any super-special-effect to reinforce the plot, the meaning itself. They do not pretend that the story needs more technology than the mere word. All the aesthetics, the first and main sense of the film, rests solely on the story explained by the main character. This protagonist has a message for us and wants to make us think. It's a common premise in all three films and, frankly, it works. Even so, these films do not forget style and are elegant because of their restrained form. I celebrate that they don't want to embarrass me with empty spectacularity and that the magic holds on the words.