One of inspired versions of the novel by Oscar Wilde. For the fair portraits of Dorian, Harry and Basil, Richard Todd offering the perfect tones for his character. For the portrait itself and its last form of degradation. For the revelation of soul to Basil and scene of murder. For the hunting scenes and for the way to reflect his character proposed by Helmut Berger.
Not the last , for the images of sin and the more realistic and profound exploration of the relation with Sybill ( not the last, for wise solution of her last gesture ).
In short, provocative, no doubts, but well integrated in the frame of 1970 sexual revolution One of fundamental good points - the manner to craft his Henry Wotton of brilliant Herbert Lom.
Not the last , for the images of sin and the more realistic and profound exploration of the relation with Sybill ( not the last, for wise solution of her last gesture ).
In short, provocative, no doubts, but well integrated in the frame of 1970 sexual revolution One of fundamental good points - the manner to craft his Henry Wotton of brilliant Herbert Lom.