Although set in the usual enormous house that in those days films would had have us believe everybody then lived in, austerity Britain never looked more austere than this telling of a very similar story to the haunted mirror episode of 'Dead of Night' (an impression further confirmed by the casting of that film's Anthony Baird in the framing story).
Despite atmospheric photography of a derelict Mill Hill mansion by Ray Densham, for most of it's length it gets its atmosphere largely from various noises like a dripping tap, creaking doors, screams in the night, breaking glass and especially the narration by Man in Black himself Valentine Dyall; although the spectre when finally seen is quite satisfying.
Despite atmospheric photography of a derelict Mill Hill mansion by Ray Densham, for most of it's length it gets its atmosphere largely from various noises like a dripping tap, creaking doors, screams in the night, breaking glass and especially the narration by Man in Black himself Valentine Dyall; although the spectre when finally seen is quite satisfying.