The movie goes back to the story of «Commandante» Salvatore Todaro, obviously a name of reference in the history of the Italian navy. The story moves from La Spezia, in Italy, to the Island of Santa Maria, in the Azores (Portugal) in the second half of 1940, during WWII. Indeed, the span of the narrative goes from the mediterranean to the Atlantic across the Strait of Gibraltar on board of an Italian submarine. But the real story is another, much deeper. In my opinion, this is a movie about humanity and leadership, about command and obedience, about reason and self-sacrifice, and morality, especially in times of war. There are the laws of war and those of the sea; but, most importantly, there also are the Laws of Humanity. In a subtle way, I could see in the movie the laws of God too. Indeed, this is a movie that shows what a leader can be and, most importantly, how the Laws of Humanity might prevail, even in times of conflict and war.
The movie is quintessentially Italian. This is certainly reflected in the immense list of delicious foods that the movie transforms in an interesting kind of cultural refrain. Particularly noteworthy is the question that that the apparent «enemy» puts to Comandante Salvatore Todaro in Portuguese territorial waters in October of 1940: Why did you save us? «Perché siamo Italiani», was the answer. In my personal assessment: the movie is wonderful; indeed, at times truly moving! Watching this movie confirms the idea that we might once again be back to manifestations of great cinema in Italy.
The movie is quintessentially Italian. This is certainly reflected in the immense list of delicious foods that the movie transforms in an interesting kind of cultural refrain. Particularly noteworthy is the question that that the apparent «enemy» puts to Comandante Salvatore Todaro in Portuguese territorial waters in October of 1940: Why did you save us? «Perché siamo Italiani», was the answer. In my personal assessment: the movie is wonderful; indeed, at times truly moving! Watching this movie confirms the idea that we might once again be back to manifestations of great cinema in Italy.