Basil Dean has always struck me as an underused director who had considerable talent but was sadly overlooked for reasons that I do not know.
AUTUMN CROCUS shows some very good directorial touches, even though the naissant sound cinema of the time - 1934 - did not help. On the positive side, he had a very good leading trio in Ivor Novello, Fay Compton, and Muriel Aked... each a very different personality from the next.
Aked struck me as the nag and domineering school boss who tries to curtail 35 year old Compton's possible first foray into love, Compton plays very effectively the naive schoolteacher taken in by the beauty of the Austrian Tyrol and in particular the charm of hotelier Mr Steiner, who has a good singing voice, a splendid sense of humor, and knows how to entice the willing female he senses in Compton.
Obviously, all that shines is not gold, and his flirting and the crocus flowers that he keeps giving Compton hide a surprisingly deceptive side. Novello's performance deserves plaudits for his sympathetic stealth, yet it is Aked's loyalty that I take foremost from this film in moral and acting terms.
Cinematography is competent, the script overladen with singing and Tyrolese music, which I found annoying after a while. 7/10.
AUTUMN CROCUS shows some very good directorial touches, even though the naissant sound cinema of the time - 1934 - did not help. On the positive side, he had a very good leading trio in Ivor Novello, Fay Compton, and Muriel Aked... each a very different personality from the next.
Aked struck me as the nag and domineering school boss who tries to curtail 35 year old Compton's possible first foray into love, Compton plays very effectively the naive schoolteacher taken in by the beauty of the Austrian Tyrol and in particular the charm of hotelier Mr Steiner, who has a good singing voice, a splendid sense of humor, and knows how to entice the willing female he senses in Compton.
Obviously, all that shines is not gold, and his flirting and the crocus flowers that he keeps giving Compton hide a surprisingly deceptive side. Novello's performance deserves plaudits for his sympathetic stealth, yet it is Aked's loyalty that I take foremost from this film in moral and acting terms.
Cinematography is competent, the script overladen with singing and Tyrolese music, which I found annoying after a while. 7/10.