So the production values aren't great, but that wouldn't have been a problem if the screenplay had been any good.
I've read the novel (by Henri Conscience) on which this move was based, and in this case, again, the old cliché is true: the novel was better.
The screenwriter (by Hugo Claus, a prolific novelist, poet, and playwright) seems to make all the wrong choices. Imho this screenplay was one of the worst effort of the much-lauded author.
One of the main conflicts in the novel is the contrast between Jan Breydel, a violent butcher in every way, and Pieter Deconinck, a thoughtful strategist. Oddly enough, the screenplay makes almost nothing of this.
Central in the novel, is a love story (Machteld and Adolf). Granted, in the novel (published in 1834) it's a courtly and sentimental affair, but Claus the screenwriter chooses to leave it out.
So it you would condense the big novel this film was based on, you would probably concentrate on these two relatoinships. But Claus chooses to be an "artist", and the result is almost a confusing non-story. No contemporary Fleming would know what this is all about, and so he wouldn't care -- nor would anyone else care.
This is a shame, because the historic facts make a great story, and the novel has a great story, about the mightiest European state (France) trying to subdue one of the wealthiest regions of the world (Flanders) -- all this in the early 14th century.
The movie ends with the "Battle of the Golden Spurs", which is still commemerated in Flanders on the 11th july. This movie does not do it proud.
I hope that one day a capable screenwriter and ditto director will make this into a great movie.
I've read the novel (by Henri Conscience) on which this move was based, and in this case, again, the old cliché is true: the novel was better.
The screenwriter (by Hugo Claus, a prolific novelist, poet, and playwright) seems to make all the wrong choices. Imho this screenplay was one of the worst effort of the much-lauded author.
One of the main conflicts in the novel is the contrast between Jan Breydel, a violent butcher in every way, and Pieter Deconinck, a thoughtful strategist. Oddly enough, the screenplay makes almost nothing of this.
Central in the novel, is a love story (Machteld and Adolf). Granted, in the novel (published in 1834) it's a courtly and sentimental affair, but Claus the screenwriter chooses to leave it out.
So it you would condense the big novel this film was based on, you would probably concentrate on these two relatoinships. But Claus chooses to be an "artist", and the result is almost a confusing non-story. No contemporary Fleming would know what this is all about, and so he wouldn't care -- nor would anyone else care.
This is a shame, because the historic facts make a great story, and the novel has a great story, about the mightiest European state (France) trying to subdue one of the wealthiest regions of the world (Flanders) -- all this in the early 14th century.
The movie ends with the "Battle of the Golden Spurs", which is still commemerated in Flanders on the 11th july. This movie does not do it proud.
I hope that one day a capable screenwriter and ditto director will make this into a great movie.