I decided to rewatch "V/H/S/2" to introduce this series to my brother. The film takes a dark approach, almost resembling a snuff movie, but always rewards us with creative twists that pay homage to various elements of horror cinema.
The film presents four short films directed by notable names in the genre, such as Simon Barrett, Adam Wingard, Eduardo Sánchez, and Gregg Hale (the creators of "Blair Witch Project"), Gareth Evans, and Timo Tjahjanto.
The movie begins with "Phase I Clinical Trials," which might be the weakest of the anthology. The premise involves a man who, after receiving an ocular implant, starts seeing spirits. However, the execution falls short. The concept is intriguing, but the short is hampered by a lack of tension, as well as makeup and cinematography that fail to create the necessary atmosphere for effective horror.
Moving on to "A Ride in the Park," we see a more creative and fresh take on the zombie subgenre. The idea of seeing the world through the eyes of a zombie is an interesting twist, especially in the context of found footage. This short stands out for its originality, offering a new perspective by showing things from the villain's point of view. Unlike the generic "In A Violent Nature," which used the same formula, this entry brought something new, keeping the viewer engaged and intrigued. It's an example of how a simple idea can be turned into something good when done right.
"Safe Haven" is, without a doubt, the highlight of "V/H/S/2." This short film, focused on a bizarre and terrifying cult, perfectly captures the essence of psychological and supernatural horror. The tension is palpable, and the narrative takes the viewer on an emotional rollercoaster, culminating in a shocking ending. The cinematography, atmosphere, and performances are exceptional, creating a very bizarre mood. This segment deserves to be expanded into a full-length feature.
The final short, "Slumber Party Alien Abduction," closes the anthology with an interesting take on alien invasion. While not the most impactful, it still manages to entertain and surprise. I recommend watching it with the volume up to enhance the sensory experience.
In summary, "V/H/S/2" is an anthology that, even though it doesn't fully capture the surprise of my first viewing, still offers moments of pure horror and creativity. It's an experience that, despite its imperfections, is worth revisiting-especially for those looking for something different in the horror genre.
The film presents four short films directed by notable names in the genre, such as Simon Barrett, Adam Wingard, Eduardo Sánchez, and Gregg Hale (the creators of "Blair Witch Project"), Gareth Evans, and Timo Tjahjanto.
The movie begins with "Phase I Clinical Trials," which might be the weakest of the anthology. The premise involves a man who, after receiving an ocular implant, starts seeing spirits. However, the execution falls short. The concept is intriguing, but the short is hampered by a lack of tension, as well as makeup and cinematography that fail to create the necessary atmosphere for effective horror.
Moving on to "A Ride in the Park," we see a more creative and fresh take on the zombie subgenre. The idea of seeing the world through the eyes of a zombie is an interesting twist, especially in the context of found footage. This short stands out for its originality, offering a new perspective by showing things from the villain's point of view. Unlike the generic "In A Violent Nature," which used the same formula, this entry brought something new, keeping the viewer engaged and intrigued. It's an example of how a simple idea can be turned into something good when done right.
"Safe Haven" is, without a doubt, the highlight of "V/H/S/2." This short film, focused on a bizarre and terrifying cult, perfectly captures the essence of psychological and supernatural horror. The tension is palpable, and the narrative takes the viewer on an emotional rollercoaster, culminating in a shocking ending. The cinematography, atmosphere, and performances are exceptional, creating a very bizarre mood. This segment deserves to be expanded into a full-length feature.
The final short, "Slumber Party Alien Abduction," closes the anthology with an interesting take on alien invasion. While not the most impactful, it still manages to entertain and surprise. I recommend watching it with the volume up to enhance the sensory experience.
In summary, "V/H/S/2" is an anthology that, even though it doesn't fully capture the surprise of my first viewing, still offers moments of pure horror and creativity. It's an experience that, despite its imperfections, is worth revisiting-especially for those looking for something different in the horror genre.