78
Metascore
13 reviews · Provided by Metacritic.com
- 91The A.V. ClubNoel MurrayThe A.V. ClubNoel MurrayThe brilliance of Long Strange Trip is that Bar-Lev allows for multiple interpretations.
- 88The Globe and Mail (Toronto)Brad WheelerThe Globe and Mail (Toronto)Brad WheelerAmir Bar-Lev’s excellent, definitive film on the Haight-Ashbury acid-testers is long – four fly-by hours – but there are very few wasted moments.
- It’s all about finding the gems, and Long Strange Trip is a treasure chest.
- 80VarietyOwen GleibermanVarietyOwen GleibermanIt has the sprawl and generosity of a good Dead show, yet there’s nothing indulgent about it — it’s an ardent piece of documentary classicism.
- 80The New York TimesDaniel M. GoldThe New York TimesDaniel M. GoldIt’s surprising there has never really been an extended cinematic exploration of the band. Long Strange Trip, ambitiously assembled and elegantly directed by Amir Bar-Lev, fills that void.
- 75Slant MagazineWes GreeneSlant MagazineWes GreeneThe film plays like one of the Grateful Dead's seminal concerts: protracted and digressive, yet intricate in its design.
- 75Paste MagazineKenji FujishimaPaste MagazineKenji FujishimaNot only does the film provide an exhaustive account of the band’s rise and fall, but it also clearly articulates their importance in music history, their singular character as a performing entity and even the distinctive nature of their fandom.
- 70The Hollywood ReporterStephen DaltonThe Hollywood ReporterStephen DaltonLong Strange Trip is an affectionate and well-crafted documentary, but it would have benefited from a little more of this emotionally raw material and a little less fawning reverence.
- 70Village VoiceVillage VoiceIf the story is known, this telling is lusher than any before, the film stuffed with rare archival footage and performance clips. The effect is one of coasting along amid a vast, noisy, variegated parade, vividly rendered. And that works just fine.
- 70Los Angeles TimesSheri LindenLos Angeles TimesSheri LindenThoughtful, deeply affectionate and concerned more with essence than chronology, it recounts the band’s 30 years in a way that should enlighten diehards as well as the uninitiated.