Ten stories are woven together by their shared theme of Halloween night in an American suburb, where ghouls, imps, aliens and axe murderers appear for one night only to terrorize unsuspectin... Read allTen stories are woven together by their shared theme of Halloween night in an American suburb, where ghouls, imps, aliens and axe murderers appear for one night only to terrorize unsuspecting residents.Ten stories are woven together by their shared theme of Halloween night in an American suburb, where ghouls, imps, aliens and axe murderers appear for one night only to terrorize unsuspecting residents.
- Awards
- 1 win & 4 nominations total
Natalie Hauck
- Britney (segment "The Night Billy Raised Hell")
- (as Natalie Castillo)
Storyline
Did you know
- TriviaBen Woolf's final film. The movie is dedicated to him.
- GoofsIn the "Friday the 31st" segment, Dorothy's left side is cut several inches between her neck and her shoulder by the killer with the chainsaw. The next scene shows that the massive gash has disappeared.
- Crazy credits"No animals were harmed in the making of this film, but we sure did kill a lot of pumpkins."
- SoundtracksDime A Dance
Written and Performed by Colin Green and Sean Keller
Published by Amphonic Music Ltd (PRS)
[Played during segment "Grim Grinning Ghost"]
Featured review
It's nearly that time of year again, so what better way to pass the time than to settle down with Tales of Halloween, a seasonal anthology from ten of today's hottest horror directors that features cameos from some of the genre's giants.
As is often the case with anthologies (especially one with so many stories, like this), it's a very mixed bag—some parts work very well, other's are less effective—but for my money, this is still more fun than that other Halloween anthology of late, Trick 'r Treat, which I found frustratingly mediocre all the way through.
'80s scream Queen Adrienne Barbeau introduces the tales, starting with 'Sweet Tooth', by director Dave Parker (The Hills Run Red). An enjoyable way to kick things off, this sets the tone perfectly with a Halloween legend coming true for a young trick or treater with gory results. This is followed by 'The Night Billy Raised Hell', from Darren Lynn Bousman (Repo: The Genetic Opera), who introduces a bit of dark comedy into the mix with his amusing story of a boy who meets a demon (Barry Bostwick) that shows him the secrets of extreme pranking.
Segments 3 and 4—Adam Gierasch 's 'Trick' and Paul Solet's 'The Weak and the Wicked' are passable fare, revolving around vengeful killer kids and the summoning of a demon; Axelle Carolyn's 'Grimm Grinning Ghost' starts off promisingly, but winds up being little more than a weak attempt at providing a cheap jump scare (which I fully expected). Lucky McKee's 'Ding Dong', is without doubt the weirdest of the ten tales (and my least favourite), featuring a childless woman who turns into a witch when emotional.
'This Means War' from Andrew Kasch is kinda forgettable, although at least there's fun to be had from trying to spot numerous cameos, but things get much better with the next story 'Friday the 31st' (by Mike Mendez), which is totally bonkers and extremely gory: a deformed killer gets a taste of his own medicine after a tiny trick or treating alien possesses the body of sexy victim Dorothy, who returns from the dead to turn the tables on her attacker. The plot might not make much sense, but this one is so gleefully insane and incredibly bloody that I couldn't help but love it.
'The Ransom of Rusty Rex' is also very enjoyable: directed by Ryan Schifrin (son of movie composer Lalo, who provides the score for Tales of Halloween), it follows a pair of unfortunate kidnappers whose victim turns out to be a hideous little demon whose 'father' is only too happy to be rid of. This is followed by Bad Seed, from Neil Marshall (The Descent), which features a fun premise—a man-eating pumpkin on the rampage—but sadly ends proceedings on a rather weak note.
6.5/10, happily rounded up to 7 for that adorable Halloween-lovin' extraterrestrial.
As is often the case with anthologies (especially one with so many stories, like this), it's a very mixed bag—some parts work very well, other's are less effective—but for my money, this is still more fun than that other Halloween anthology of late, Trick 'r Treat, which I found frustratingly mediocre all the way through.
'80s scream Queen Adrienne Barbeau introduces the tales, starting with 'Sweet Tooth', by director Dave Parker (The Hills Run Red). An enjoyable way to kick things off, this sets the tone perfectly with a Halloween legend coming true for a young trick or treater with gory results. This is followed by 'The Night Billy Raised Hell', from Darren Lynn Bousman (Repo: The Genetic Opera), who introduces a bit of dark comedy into the mix with his amusing story of a boy who meets a demon (Barry Bostwick) that shows him the secrets of extreme pranking.
Segments 3 and 4—Adam Gierasch 's 'Trick' and Paul Solet's 'The Weak and the Wicked' are passable fare, revolving around vengeful killer kids and the summoning of a demon; Axelle Carolyn's 'Grimm Grinning Ghost' starts off promisingly, but winds up being little more than a weak attempt at providing a cheap jump scare (which I fully expected). Lucky McKee's 'Ding Dong', is without doubt the weirdest of the ten tales (and my least favourite), featuring a childless woman who turns into a witch when emotional.
'This Means War' from Andrew Kasch is kinda forgettable, although at least there's fun to be had from trying to spot numerous cameos, but things get much better with the next story 'Friday the 31st' (by Mike Mendez), which is totally bonkers and extremely gory: a deformed killer gets a taste of his own medicine after a tiny trick or treating alien possesses the body of sexy victim Dorothy, who returns from the dead to turn the tables on her attacker. The plot might not make much sense, but this one is so gleefully insane and incredibly bloody that I couldn't help but love it.
'The Ransom of Rusty Rex' is also very enjoyable: directed by Ryan Schifrin (son of movie composer Lalo, who provides the score for Tales of Halloween), it follows a pair of unfortunate kidnappers whose victim turns out to be a hideous little demon whose 'father' is only too happy to be rid of. This is followed by Bad Seed, from Neil Marshall (The Descent), which features a fun premise—a man-eating pumpkin on the rampage—but sadly ends proceedings on a rather weak note.
6.5/10, happily rounded up to 7 for that adorable Halloween-lovin' extraterrestrial.
- BA_Harrison
- Oct 17, 2015
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Cuentos de terror
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $416,792
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 2.35 : 1
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