It's a bitter truth that even if consider only the Punjabi community in particular, then also a big percentage of the youngsters might not be aware of blessed soul lovingly called BHAGAT PURAN SINGH, who spent his entire life for the physically challenged and the ignored sufferers of our society in his Pingalwara situated in Amritsar (Punjab). So where almost everyone knows about MOTHER TERESA and probably about the respected BABA AMTE too (included in our text books), there only a limited section of Indians are aware of this unique spirited personality who never felt ashamed to even beg for his big family of dependents living a comfortable life only because of him as their GOD-sent messiah.
As a film EJTL is indeed a worth watching attempt in the biographical genre, intelligently following a non-linear progression that successfully makes an impression in its very first sequence itself. Yes, the prolonged background sequences do take some time to take the story forward and the choice of child artist in the initial 20 minutes could have been much better. Still the film is able to make an instant emotional connect with the viewers before the intermission and then wins you over completely in its second half which has much more power in its depiction when Bhagat Puran Singh grows older walking towards his ultimate salvation in her mother's arms. And as I have always said, when a film's second half is stronger than the first then it is bound to become a winner in most of the cases.
Further moving much ahead than being a simple biographical movie, EH JANAM TUMHARE LEKHE actually becomes a must watch, not to be missed gem due to some exceptional, unique features handled brilliantly by the writer, director and the actors together as mentioned below.
A. Though Bhagat Puran Singh was not a born Sikh, the film doesn't give any mileage to the fact rightly and explains this with a simple few lines dialogues in its second hour without giving it any major emphasis (as it should have been done becoming its biggest merit).
B. It doesn't talk or propagate about any particular religion thankfully, nor does it purposefully focus on the trust asking for some extra attention from the viewers through any deliberate sequences.
C. The director quite skillfully incorporates two major events of the 20th century, i.e. of 1947 Partition and 1984 Blue Star Operation without any forceful provocation or taking sides. The sequences simply portray what in reality happened with Bhagat Puran Singh in those times and then leaves the decision on to the viewer that whether he did right or not in his personal dilemmas faced.
D. After a long time, a soundtrack becomes the major backbone of a project in Punjabi cinema and EH JANAM TUMHARE LEKHE has many melodious, emotional, meaningfully written and brilliantly rendered tracks led by "Sun Ve Poorna", a superb "Lori" (Lullaby) heard after a long time, a fun loving kids song and few fabulously composed Shabads that lift up the film beautifully coming at the right time. Here scoring the maximum marks is the Shabad "Kaisi Aarti Hove" by the exceptionally talented Sukhwinder in an unusual but winning composition that has never been tried before in Punjabi Devotional Music. (And not many know about the relationship of this divine AARTI written by Guru Nanak with Gurudev Rabindranath Tagore and World Music.)
E. Talking about the man who plays the role of Bhagat Puran Singh, one of the most underrated and underutilized talented actors of our times, Pawan Malhotra, I would only like to say, that you will find it tough to find Pawan in the entire film, especially in its second half. In more clear words, Pawan is simply not there but Bhagat Puran Singh is. And that's the biggest compliment possible for an actor as far as my understanding of acting goes. Pawan completely dissolves himself in the character he is playing and you amazingly have to remind yourself in a repeated mode that here we have an actor playing a role and not Bhagat Puran Singh himself on the screen as it seems. The credit for this unarguably goes to the director Harjit Singh too for giving Pawan those precise instructions and guidance to deliver such a magnificent performance that is sure to be included as one of his best till date without any doubt.
Next writing about the immensely blessed soul Bhagat Puran Singh, a few lines cannot justify or explain the enormous amount of social work done by the man in his entire life. Hence I would only like to quote two important dialogues in the film that might give you an idea about the visionary person he was, capable of looking deep into the psyche of both the man and the nature together like a highly learned scholar.
In his final decades, Pingalwara became a known place and people used to come from far off places to see the work being done as something rare & unique. Receiving such people only interesting in seeing the place, Bhagat Puran Singh used to say,
"Dont come to Pingalwara just to see....this is not a Zoo.......If you want then come here to do Seva... only Seva (Service)".
For him there was no difference of any religion, caste, colour or region in life, explained in a simple few words expression saying, "Dukhan Di Zaat Nahin Hundi" (Sorrow has no caste or religion).
And that's exactly what the film teaches you in its two enlightening hours that life isn't just about any religion, any caste divisions, any clashes or silly ego fights. Life is about sharing whatever you can with the less privileged around as nobody is here to stay permanently.
