User reviews

There is one review that describes GOAT as "Full Metal Jacket meets Animal House," which might be true if this movie were at all a comedy, or even a movie that examines the long-term effects of psychological abuse. There is a lot that Andrew Neel tries to say from the director's chair, but aside from a few interesting moments here and there, it seems like he may have bitten off more than he can chew.

The story follows Brad (Ben Schnetzer), the older brother of an all-around popular college boy (Brett, played by Nick Jonas). The film opens with Brad offering a ride to a set of strangers in the dead of night. He offers only because he believes they are coming from the same party. Right away the suspicions are tingling. A 20-minute ride down a deserted road finally has Brad come to terms with his situation: that he is mugged, beaten, and left for death in the middle of a field on the outskirts of town. His face is scarred, bruised, and his ease with strangers is never the same.

The movie is something I was not expecting, an odyssey into the mind of fear along the lines of a film Harmony Korine might admire. Where I was prepared for an dark yet entertaining film like Whiplash, we delve into the bowels of a film that more closely resembles "Spring Breakers," another hypnotic story with similar themes of the recklessness of millennials.

As the story falls into place, Brad finally decides to start college (we assume he took a year off after high school, since his younger brother is already well into his degree). Even before classes begin, Brad attends a Fall party at Brett's fraternity. The house is run- down, jammed, full of empty plastic cups and vomit in every corner. It's not so much a symbol as a right of passage: to belong to this house is to have a brotherhood that always has your back. James Franco (a producer on the film) has a brief but memorable scene as a former classmate who seems to hang around at the house a couple hours too long. Stuck in the past, he nonetheless shows Brad that this is an institution to which you can belong and be protected.

And so begins the odyssey. "Hell Week," as it's notoriously dubbed, is the hazing process where Brad, his roommate, and others, attempt to win the trust of the fraternity and eventually get "pinned" before the school year is out. The name is aptly given. Pledges are brought down to the basement where they are stripped, tied up, urinated on, and made to drink to the point of nausea. They drink cups of hot sauce. They are slapped. This is only day one.

The comparison to "Full Metal Jacket" would seem appropriate on a surface level, but the film rarely dives into the psyche of Brad, a boy who is torn between fear and commitment to pleasing his brother. Just as he allowed strangers to abuse him in the film's opening, so does he (poetically) allow it to happen again, this time for acceptance. In fact, maybe the abuse comes to represent a window into the connected world. Life is full of people who come and go, but what's the true test of a friendship if you literally go to hell and back.

The abuse, of course, is the highlight of the film, and the vivid scenes of torture are at times a bit overwhelming. We know going in that this is a movie based on actual events (events in which the death of a student was the culmination of the abuse), and as such each new scene comes with a heightened sense of dread: will this turn deadly? The violence is so relentless that I doubted I would even end this film with a positive thing to say about it. Filmmaking and production is one thing, but if you are making a movie about violence solely for the sake of violence, then what is the point?

I found Schnetzer's performance something that was both fragile and determined. While I at times failed to see motivation in certain scenes, his portrayal of Brad is fully-realized and the basic moral compass of the movie. From beginning to end, the story can be simplified to that of a boy who learns to no longer be afraid. It's a small arc, muddled in with a plot of hazing that does very little for the cause of the overall picture. On an intimate level, this was a story I could get behind. Everyone likes a happy ending, don't they?

This film tells the story of a young man who gets brutally attacked by two strangers. He then goes to college, joins a fraternity house, and gets transformed into a different person.

There has been a lot of films that portrays fraternity houses to be super fun, but finally there is a film that shows that fraternity houses may not be as rosy as it appear. The story focuses on the initiation week, where new recruits are humiliated and even tortured. It is scary to see what happens in the film, even though the tone of the film is not too dark. The level of subhuman behaviour is terrifying, because the abuse is legitimised by "tradition".

"Goat" tells a compelling story of abuse, abused and abuser. It lets people reflect on what is right and what is wrong. Let's hope this film will find more audience.

Goat starts off similar to such frat boy slapstick comedies as Animal House or the more recent Everybody Wants Some, but nowhere near as funny and entertaining, unless you count a ridiculous overblown cameo from James Franco as man in his mid-thirties who saw the best years of his life as being in the frat, which is why he shows up to say high once in a while. Off the bat the movie did show a tone that said it was going to be something different from the fun and games of Frat life.

And the tone definitely sets up for the dark mood change. The second most famous person in this film, Nick Jonas, has a supporting role as a frat boy who was already semi-questioning the whole thing when his brother pledges during hell week, and it's not sitting well having to watch him going through the sick disturbing things they make them do.

Goat, works to expose the harshness and the dangers of Hazing. It does a great job of giving a pretty no holds barred look at one of college's oldest traditions.

But other than this view of how dark and disturbing the male bonding process can get, the movie has very little in a narrative story.

Goat, acts like a document on something based on true events. You'll get nothing from it, no lesson learned, only the ugly truth on frat hazing.

I have to admit that I decided to watch this film because of Jealous singer Nick Jonas!

I do not know Nick from his Disney days ( I guess he acted then) or from his Jonas Brothers days but I do know him for some of the songs and I wanted to see how is he as an actor. And to be honest, I think he is good. But again, I do not think that this kind of a film requires A list actors.

Anyway, the film is interesting. It does keep your attentions and makes you wonder if all these things really happen is some schools in America? I guess it is so as it is based on true events.

The beginning and the ending of the film are kinds let down... The beginning is kinda slow, the ending is not 'closing'. But it is not boring and I guess that is what matters.

All the actors were kinda good in their roles.

All in all, not bad. I rate it 7!

The awful, normalised rituals of American fraterities are addressed in 'Goat'. I can't say if the brutality we see see here is commonplace; but it's certainly a documented fact that new recruits are basically tortured, encouraged by social pressures to consent, and college authorities turn a blind eye. But 'Goat' is a peculiar film, because it ties in this story with a secondary tale about an unrelated attack on one of its protagonists, and I don't really understand the intention of linking the two stories. The hazing rituals occupy by the bulk of the film, but at the end, no longer seem to be the point. In consequence, the movie is horrific, but oddly unfocused.

A thought provoking watch on the behaviour of young adults in college fraternities from an interesting and challenging perspective.

It starts out with a dramatic intro that creates a wound. After that initial hook the plot seems to drift a little about this person a little about that and a little about the relationship between two people. The key for the film seems to be a little, as in it seems to skim the top of the people and their relationships with each other. The first university I enrolled in had maybe six fraternities and they counted the two honor societies in that number. For all fraternities you needed a 2.5 or 3.0 GPA to join and maintain membership. You could only join your second year there (having successfully passed 24 credits) and most were based in major a student could only join with a certain declared major. The university I'm looking to transfer to has no fraternities at that campus and limit numbers at all other campuses and agin largely major based with gpa requirements for entering and maintaining membership. The university my brother went to in a different state had the same basic set up for fraternities. Maybe it feels a bit like a cliché 80s college film because universities and fraternities have changed since then. Would have been better if they spent more time letting you into the characters minds and less of a 4 minute or so scene of a topless stripper dancing around. It's worth watching at least once.

Goat is a look at the dark side of fraternity initiations and is a long way away from the comedy antics of Animal House.

Brad (Ben Schnetzer) follows his popular brother Brett (Nick Jonas) to college. Right at the off he gets beaten up and mugged by some strangers at a party he gave a lift to.

However much worse is to come as the new students need to survive hell week and various rites of passage that is associated when it comes to joining college fraternities even if hazing has been outlawed.

These pledges are meant to be darkly comic but nauseating and the new students endure it for the prestige of joining a house and getting laid. Of course we know that tragedy will strike and brother Brett is already dubious about these frats and what they stand for and is worried about Brad.

James Franco makes a comedic guest appearance as an older former college frat who drops in to tell the new recruits that being a member of the house means joining a brotherhood who always watch your back.

Apart from the disturbing scenes of the various initiations and the fraternity members later falling apart when disaster strikes there is little story here. It is even not that interesting because it lacks the darkly comic humour that this film needed.

I saw this film in the early hours of the morning on British television, without any recommendation to watch it. It was one of the most necessary, and at the same time one of the most brutal films I have ever seen. I do not want to give away spoilers, but the opening credits of half naked men shouting warned me that this was not going to be entertainment, and the opening scenes of a young man being beaten almost to death made me want to turn the film off. I watched it and followed this young man's path to recovery, and along with his brother entering an elite school for further education. Here the real horror began. He had to prove his worth by being 'hazed' which is as I understood it a ritual of various tortures to become 'worthy' of being there. The tortures and the verbal abuse I will not describe, except to say that it was like watching pages of description out of De Sade. The most used of the verbal abuses was anti-gay, along with others used against women. This was the heart, if that is the appropriate word, of the film, along with physical humiliation and torture. Not since Pasolini's 'Salo' have I seen a film like this; another condemnation of human nature that was equally necessary to see and try to understand. The film, as film, is in my opinion equal to Pasolini both for its cinematic merits, and also for daring to go into the lowest depths of humanity. I expected a very violent climax, but instead I saw the young man trying to come to terms with what he has been through. I must just add that there was no disjunction between the opening violence, and the violence in the school. As far as I could see they completed the circle of extreme torture filtering down from the top of society to the most dispossessed in our society. Necessary films are actually quite few, but this in my opinion is one of them. A fully justified 10 for its content, and what it tells us about aspects of human behaviour we would rather turn away from.

The title and promotional photo of this film serve as early warnings that this is going to be an unpleasant story, especially because it's not labeled a comedy as many frat movies tend to be.

This is the story of Brad, a sweet guy from the midwest, who joins his real-life brother's fraternity. Having gone through the college fraternity experience myself, I can attest to this film's realistic portrayal of hell week and brotherhood. But the story, as good as the acting is, lacks insight into why the brothers continue putting pledges through horrific initiations year after year. We get no view into what the active brothers are plotting each day and why. Neither are we privy to their conversations outside the hazing. There's brief conflict between Jonas and his peers, but it's so short, and it would have been natural to dig into more intra-brother conflict as to the absurdity of hell week.

The entire middle act of the film focuses on one hazing incident after another. The result is a film that largely treads water until it hits the crisis (one of the pledges doesn't make it), the climax (an investigation) and ultimate resolution, which is weak at best. We also get no interaction between the fraternity and the rest of the campus or community, which gives the film an odd isolation. But I get it ... the director/writer/producers wanted to keep the story strictly focused on the fraternity.

That said, superb performances by Jake Picking, who plays Dixon, the frat president, Nick Jonas and Ben Schnetzer (a rising young actor who shows real promise). I've always like Jonas subtle, nuanced performances, where he displays a natural affinity for the screen. He never looks like he's acting.

Schnetzer does an excellent job playing little brother, but trying hard to be his equal.

There seems to have been a steady decline in these type of teen/ college fraternity films within the past several years. Goat is quite an intriguing and rather more graphic and darker film than expected. Perhaps may have been marketed as a teen raunchy sex comedy but that isn't the case. It's more of a psychological drama depicting real like events of college frats.

The acting by lead of Brad (Ben Schnetzer) is entirely convincing as we are watching his journey and his portrayal definitely came across as authentic. Nick Jonas portrays the older brother Brett (although this wasn't too clear at first whether which character was older but it's assumed Brett was older- although in real life Nick is younger than Ben) and he does a solid job as well. Although they came across more like close friends than brothers.

There is a very brief and somewhat awkward cameo by James Franco as a former ex fraternity member, where he's only in one scene.

This film is nothing like a comedy but a deepening drama. The ending was somewhat disappointing considering we don't actually see Brad get his payback on the person who gave him his trauma. That was essentially the main reason as to why we kept watching, to find out who those guys were and to see the aftermath.

Otherwise this is quite an underrated film. Somewhat surprised at the little amount of total views and reviews. Although this is definitely not a film for the faint hearted as there is some rather graphic realistic scenes involving hazing and an unexpected death scene.

There are moments in this film that I really liked, but overall it feels pointless and confused. It pulls its punches and doesn't go far enough to even be satisfying on a gratuitously depraved level.

The Huge problem for me with this film is Nick Jonas. From the beginning he stands out as being a significantly inferior actor here and the film really suffers for it. The film really depends on him being able to successfully sell his relationship with his brother and I just wasn't buying it. You could tell he was playing a part and it didn't feel natural. With his model looks and posing he didn't even fit in physically. He singlehandedly ruined the movie.

I actually think Ben Schnetzer did a pretty commendable job with his role. I believed his journey, character, vulnerability and emotion. He was definitely the best part of this film. It's such a shame he got given a wooden Nick Jonas to work with. There was no chemistry between the two as actors. I feel bad for Ben here because he really did well.

James Franco's cameo is just awkward and perhaps unnecessary. I think I actually cringed when he showed up on screen.

Overall it was an unsatisfying viewing experience.

First I want to say I think Nick Jonas should have won a Emmy for incredible acting. (Hope you get the sarcasm). But I just think it's stupid that people actually do this in reality. They go through all this to be apart of a stupid frat that doesn't mean anything after you graduate! Stupidity!

I screened #GOAT starring #BenSchnetzer and #NickJonas and although the hazings in the film can get over the top, one can't help but wonder if hazings in real life frat out there can really get that violent, especially since the college I attended didn't have Greek houses so I never personally experienced pledges. But GOAT has its own way of rattling your comfort zone. The psychological pain the characters inflict on each other is more disturbing than last year's "The Stanford Prison Experiment."

Directed by Andrew Neel, in GOAT, Ben Schnetzer's character, Brad Land earlier on in the story goes through an initial violence so traumatizing that it pretty much sets up his motivation throughout the entirety of this film. He joins his brother Brett's (Nick Jonas) fraternity and as the pledging ritual moves into hell week, the stakes grow more violent, more humiliating, and more torturous, all in the name of brotherhood, or is Brad trying to prove something else? Based on Brad Land's memoir, co-written by Andrew Neel, David Gordon Green and Mike Roberts, the film deals with the questions of which rites of passage are worth taking and which ones are not and where do you draw the line. There are plenty of hazings in this film, you really don't know what to expect because each of them is shocking in its own way, it becomes ingrained in Brad's psyche or his belief that this may be what is needed to be done for him to punish himself for the earlier event that victimized him. And to some of these brothers, this frat life has become all they know, this is all they have, they think it's the center of the universe so if you go against it, then consequences ensue. It's very intriguing to see Brad and this brotherhood collide and the effect they have on each other.

GOAT is not a college comedy, it shows the darker, harsher side of what college life can offer. It's raw, unforgiving, and it punches you in the gut. You will feel uncomfortable watching GOAT and that is one of the film's main goals. I'd be very interested to see a featurette or behind-the-scenes videos showing how they shot some of the hazing scenes, just to see how the actors mentally prepped for them. I'd like to believe that GOAT doesn't necessarily intend on demonizing frat or Greek houses, I'm sure there are many brotherhoods out there that don't go over the line in their rituals but it does show that when we join a group, any group, it's best to analyze whether or not that group would be beneficial for our personal growth given our previous life experiences.

-- Rama's Screen --

Nothing else to say. This is a complete waste of time

One of many ,you might say, but as a frat-pack movie its passable, but how realistic it is i am not sure.its drinking,partying,fighting, suppression, friendship, bullying and initiations. you get the feeling of being in the army barracks with the drill seargent hanging over you , screaming on his epiglytical strings, till you have no touch with the realities in the end.then your accepted and found good enough. and as the main clearly thinks in the end...for what????

there are also a bit of revenge in this flick,though it only snaps some air on the surface once in a while. revenge is one of the most addictive drugs when watching a movie, either you are a ''winner'' or a ''looser'' it always fascinates, and i wish that factor had been played better out in this story.. i admit that my emotonal strings were touched,but the film doesnt complete what it started, and ended in a never ending story. its an inconclusive film were youre not sure what the director and producers wants, are they pro-,even or against???

the acting are quite vivid, and reliable. its just lack of a good script that coulve made it brilliant

my conclusion is that the american higher education system are administrated by ex-fraternity leaders, who has their eyes wide shut. when a film can make an old grumpy man angry, then you might want to see it too. eight stars it is.

This film gets 90-percent of the way there. As a story of the relationship between two brothers, during a stressful time in the life of one, it's poignant and wonderful. To a discerning eye Goat's setting in a fraternity will come across, through most of the film, merely as set dressing for the underlying story, rather than an indictment of fraternity life generally. And at that level it works beautifully. Unfortunately, the last twenty minutes of the film flips into an anti-fraternity rant that, while not exactly coming out of nowhere, could have been better left on the cutting room floor. Nonetheless, Goat is a powerful and emotional film that, in this reviewer's mind, is touching, as opposed to disturbing as some have called it.

The character development in Goat, beyond the two brothers, is minimal but the level of vague ambiguity it creates works perfectly in helping focus attention on their relationship.

Nick Jonas' acting chops were a wonderful surprise. Ben Schnetzer and Gus Halper also deliver unrelentingly powerful performances.

James Franco's sudden, albeit brief, appearance, is a little out-of-place and the presence of his character somewhat unrealistic.

Goat: Directed by Andrew Neel and written by David Gordon Green, Andrew Neel and Mike Roberts

Goat is a movie where we take the college hazing rituals, the kind that are gross, vile, humilating, embarassing and maybe a little funny, and we give them the Full Metal Jacket treatment. It is the story of two brothers, the older one already in the fraternity and the younger one who recently suffered a brutal assault. They enter into Hell Week and it is a descent into debaucherous behavior but from a more intense viewpoint. The film is quiet in places. It doesn't have the music lead you to where it wants you to go. It knows you will experience it without it. It offers no way out.

This can be a difficult film to watch. Hazing has traditionally been the subject of comedy. It's funny to drink to excess, be paraded around campus in your underwear, stuck in a small cage after you've vomited all over yourself. This movie does wallow in those elements. It sets things up by establishing the close relationship the two brothers have before and after the assault. It drags you into what it must feel like watching someone you love go through this kind of humilation especially after suffering the kind of assault that he did.

This was a powerful and very well made movie. It addressed what happens at these places and what it could possibly lead to. This movie is not something I would recommend to everyone. The tension does ratchet up a point that laughter is the only release possible. Be prepared for that when you enter into this film. I give this movie a B.