Joey King portrays a young, rebellious, reckless, and often humorously dimwitted teenager named Freddie on her quest to San Diego, California. However, along her journey, she encounters various strangers and situations often either turning violent, making her more vulnerable, or going everywhere.
Unfortunately, the storytelling and tone deliberately goes everywhere the moment audiences are randomly introduced to various subplots seemingly following the main focus with Freddie. It couldn't decide who to follow, what genres it wanted, what film it wanted to be, and give reasons to care.
There's genuine ideas ridiculously merged together that would've otherwise been another film with better writing. Freddie's story involves some humorous and heartfelt concepts but also strangely darkly humorous and horrifying scenarios with people being unhinged, homicidal, boldly prejudiced, and moronic.
As these stories involving drugs, mischief, and murder collide they're never fully utilized or find their purpose until it's nearly over. But by that time, audiences remain bewildered, unsatisfied, and pity the characters for their ineptness and the film's lackluster focus. It couldn't decide what to do or be long enough to underwhelm the experience.
"Smartass" wasn't smart enough to overshadow its half-witted writing.
