The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.
- Awards
- 3 wins & 24 nominations total
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn 1973, Billie Jean King was 29 and Bobby Riggs was 55. At the time of filming, Emma Stone was 28 and Steve Carell was 54.
- GoofsWhile Billie Jean King was having an intimate relationship with Marilyn Barnett during the "Battle of the Sexes", Barnett was not a hairdresser King met by chance. Barnett was King's secretary.
- Quotes
Billie Jean King: I'm not saying women are better. I've never said that. I'm saying we deserve some respect.
- Crazy creditsThe Fox Searchlight Pictures and TSG Entertainment logos are redone in period-appropriate styles.
- ConnectionsEdited from Bobby Riggs vs. Billie Jean King: Tennis Battle of the Sexes (1973)
- SoundtracksMovie House Theme
Written and Performed by Nicholas Britell
Featured review
There is no doubt that the event on which "Battle of the Sexes" is based on was a monumental moment in sports and cultural history. The exhibition tennis match between Bobby Riggs & Billie Jean King was in part a circus, but also (in large part) a key moment in the taking of women athletes seriously on the national stage. While this film eventually arrives at that point, I felt like it took far too long for it to "get to the point", so to speak.
For a basic plot summary, this film tells the story of the run-up to the Battle of the Sexes match. Riggs (Steve Carell) is a male chauvinist through and through (or at least plays the role of one), while King (Emma Stone) is perhaps the premiere women's tennis player of her era. While King struggles with her confusing sexuality and Riggs falls on hard times with his own wife, this sets the wheels in motion for a match that will be more than just an exhibition, as it seemingly carries with it the weight of the Women's Liberation movement of the 1970s.
Let me be clear about one thing: This isn't a "bad" movie by any stretch. Great acting performances are given, and the final 30 minutes are fully riveting. I completely understood and appreciated the message that was being conveyed.
That being said, the entire film is predicated on the notion that the setup (e.g. the first 70-80 minutes or so) of both lead figures will lead to more dramatic payoff in the end. For me, that didn't happen (in fact, it actually had the opposite effect). I'm not sure that King's sexual leanings needed to be a focal point of the story, and in Riggs' case his relationship with his wife (played by Elisabeth Shue) should have been developed even more. Because neither of these things really get on track, at least the first half of the film felt slow and stodgy to me.
Once the match is set and the buildup/execution of it begins, though, the film really shines. I only have video footage to go on here (I was not alive for the real thing), but Stone is sometimes a dead-ringer for King on the court. Carell's antics as Riggs were also accurate from what I have read/heard.
So, while being a solid film, I cannot give "Battle of the Sexes" more than just above-average marks for the lackluster opening acts. I felt like a different lens was needed (or the execution of the chosen lens needed to be better) in order to make the movie truly riveting in the end instead of "just" somewhat inspirational. It never got to that "next level" for me (aside from the material about the actual match itself).
For a basic plot summary, this film tells the story of the run-up to the Battle of the Sexes match. Riggs (Steve Carell) is a male chauvinist through and through (or at least plays the role of one), while King (Emma Stone) is perhaps the premiere women's tennis player of her era. While King struggles with her confusing sexuality and Riggs falls on hard times with his own wife, this sets the wheels in motion for a match that will be more than just an exhibition, as it seemingly carries with it the weight of the Women's Liberation movement of the 1970s.
Let me be clear about one thing: This isn't a "bad" movie by any stretch. Great acting performances are given, and the final 30 minutes are fully riveting. I completely understood and appreciated the message that was being conveyed.
That being said, the entire film is predicated on the notion that the setup (e.g. the first 70-80 minutes or so) of both lead figures will lead to more dramatic payoff in the end. For me, that didn't happen (in fact, it actually had the opposite effect). I'm not sure that King's sexual leanings needed to be a focal point of the story, and in Riggs' case his relationship with his wife (played by Elisabeth Shue) should have been developed even more. Because neither of these things really get on track, at least the first half of the film felt slow and stodgy to me.
Once the match is set and the buildup/execution of it begins, though, the film really shines. I only have video footage to go on here (I was not alive for the real thing), but Stone is sometimes a dead-ringer for King on the court. Carell's antics as Riggs were also accurate from what I have read/heard.
So, while being a solid film, I cannot give "Battle of the Sexes" more than just above-average marks for the lackluster opening acts. I felt like a different lens was needed (or the execution of the chosen lens needed to be better) in order to make the movie truly riveting in the end instead of "just" somewhat inspirational. It never got to that "next level" for me (aside from the material about the actual match itself).
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- The Battle of the Sexes
- Filming locations
- Westin Bonaventure Hotel & Suites - 404 S. Figueroa Street, Downtown, Los Angeles, California, USA(Hotel where Marylin & Larry run into each other in the elevator)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $12,638,526
- Opening weekend US & Canada
- $518,332
- Sep 24, 2017
- Gross worldwide
- $18,598,607
- Runtime2 hours 1 minute
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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