A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person cont... Read allA personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.
- Awards
- 9 wins & 24 nominations
Nora Waldstätten
- Kyra
- (as Nora Von Waldstätten)
Leo Haidar
- Kyra's Lawyer
- (as Léo Haidar)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis was the first film in the 69th edition of the Cannes International Film Festival to be booed by some of the critics. Other critics gave it rave reviews. In spite of the divisive reactions by the international critics, the film was later well-received by the audience at the premiere, who gave a long standing ovation. Olivier Assayas finally won the 'Best Director' award by the 'Official Competition' jury.
- GoofsWhen Maureen is texting, her texts are frequently answered immediately, usually in less than one second. There is no time lag built in for the other person to read her text and type in their response. This goof is probably intentional. Building in a time lag for the other person to read/respond to her messages would considerably slow down the pacing of the movie, so responses to her texts were probably prepared in advance and sent immediately.
Featured review
Those going into Personal Shopper expecting some type of straightforward narrative of an as per-usual glum Kristen Stewart going around trying on clothes and living the high living lifestyle will surely be disappointed by Olivier Assayas latest film, as this supernatural tinged thriller mystery is an anything but straightforward experience.
Winning the Best Director award at last year's Cannes Film Festival for this effort, Personal Shopper sees Assayas re-team with Stewart after their successful collaboration on Clouds of Sils Maria and the two artists have seemingly in the space of two films developed quite the artistic connection as Assayas assured hand behind the camera works seamlessly with Stewart, as her inwardly haunted Maureen Cartwright tries desperately to connect with her recently deceased twin brother Lewis, only to find herself in a potentially dangerous and possibly otherworldly situation.
Personal Shopper is almost unclassifiable and can't be pigeonholed into a specific genre as Assayas comfortably enters into horror/thriller territory as easily as he does drama/mystery as Maureen's experience with the world beyond our own makes itself more apparent and her dealings with an unknown "messenger" take hold of her increasingly complicated world.
Talking to much about Assayas's layered narrative would undo many of the films surprise's as we're constantly taken into routes we don't expect and it's highly plausible that Assayas's finale will be one of those cinematic endings that creates more than its fair share of heated online discussions and theories.
In saying this, Personal Shopper isn't an easily accessible film, its slowly paced and features a bunch of rather unlikeable characters but Assayas's ability to create mood and atmosphere can't be questioned while Stewart delivers one of her best turns as an adult lead as Maureen.
As if Twilight was but a sparkling distant memory, Stewart's brave and committed turn as the tormented Maureen holds the film together through some of its rougher patches and some of the scenarios/situations Assayas has asked his leading lady to be a part of could've easily gotten the better of lesser performers.
It might not be a turn that manifest's the haters into followers but there's little questioning Stewart's ability to play these certain roles she's become attributed to isn't amongst the best in the business today.
Final Say –
A truly original piece of filmmaking that isn't made for mass appeal and a work of art that doesn't always hit the high notes it intended to, Personal Shopper is a film like we've never seen before and an unnerving experience that will likely stay with you after the credits have rolled; if you happen to be one of the few that had been transfixed by Maureen's experiences with the forces we have yet to understand.
3 ½ dropped glasses out of 5
Winning the Best Director award at last year's Cannes Film Festival for this effort, Personal Shopper sees Assayas re-team with Stewart after their successful collaboration on Clouds of Sils Maria and the two artists have seemingly in the space of two films developed quite the artistic connection as Assayas assured hand behind the camera works seamlessly with Stewart, as her inwardly haunted Maureen Cartwright tries desperately to connect with her recently deceased twin brother Lewis, only to find herself in a potentially dangerous and possibly otherworldly situation.
Personal Shopper is almost unclassifiable and can't be pigeonholed into a specific genre as Assayas comfortably enters into horror/thriller territory as easily as he does drama/mystery as Maureen's experience with the world beyond our own makes itself more apparent and her dealings with an unknown "messenger" take hold of her increasingly complicated world.
Talking to much about Assayas's layered narrative would undo many of the films surprise's as we're constantly taken into routes we don't expect and it's highly plausible that Assayas's finale will be one of those cinematic endings that creates more than its fair share of heated online discussions and theories.
In saying this, Personal Shopper isn't an easily accessible film, its slowly paced and features a bunch of rather unlikeable characters but Assayas's ability to create mood and atmosphere can't be questioned while Stewart delivers one of her best turns as an adult lead as Maureen.
As if Twilight was but a sparkling distant memory, Stewart's brave and committed turn as the tormented Maureen holds the film together through some of its rougher patches and some of the scenarios/situations Assayas has asked his leading lady to be a part of could've easily gotten the better of lesser performers.
It might not be a turn that manifest's the haters into followers but there's little questioning Stewart's ability to play these certain roles she's become attributed to isn't amongst the best in the business today.
Final Say –
A truly original piece of filmmaking that isn't made for mass appeal and a work of art that doesn't always hit the high notes it intended to, Personal Shopper is a film like we've never seen before and an unnerving experience that will likely stay with you after the credits have rolled; if you happen to be one of the few that had been transfixed by Maureen's experiences with the forces we have yet to understand.
3 ½ dropped glasses out of 5
- eddie_baggins
- Oct 28, 2017
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Trợ Lí Thời Trang
- Filming locations
- Muscat, Oman(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $1,305,195
- Opening weekend US & Canada
- $79,175
- Mar 12, 2017
- Gross worldwide
- $2,840,408
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.40 : 1
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