A diamond heist reunites retired Horsemen illusionists with new performers Greenblatt, Smith and Sessa as they target dangerous criminals.A diamond heist reunites retired Horsemen illusionists with new performers Greenblatt, Smith and Sessa as they target dangerous criminals.A diamond heist reunites retired Horsemen illusionists with new performers Greenblatt, Smith and Sessa as they target dangerous criminals.
Angela Paula Stander
- $50,000 Bucks Audience Member
- (as Angela Stander)
6.316.5K
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Featured reviews
I wanted to love it
I have just watched the third film in this series, set roughly 10 years after the last.
The whole movie is around 10 people bickering. It is exhausting to watch and listen to. This movie is definitely for a younger generation than the last as this sort of constant barrage of verbal intercourse reminds me more of college kids bantering than anything else.
So, regardless of that its okay. Nice to see the band back together. Nothing going to set the world alight here just okay.
We do end up with what feels like the 10 horsemen but feel free to disagree.
The whole movie is around 10 people bickering. It is exhausting to watch and listen to. This movie is definitely for a younger generation than the last as this sort of constant barrage of verbal intercourse reminds me more of college kids bantering than anything else.
So, regardless of that its okay. Nice to see the band back together. Nothing going to set the world alight here just okay.
We do end up with what feels like the 10 horsemen but feel free to disagree.
A blatant, uninteresting and lazy rehash of the the second entry in the franchise.
"Now You See Me 3" is by far the worst entry in the franchise.
While the second movie was already inferior to the first, at least it expanded the world and took the story in a new direction. With nine years to develop a sequel, you'd expect something fresh, ambitious, and worthy of the franchise. Instead, the filmmakers went for the laziest option possible: a blatant rehash of the first two films-especially the second-recycling the same story beats, structure, and even the same type of plot twist, just with different characters.
The movie is full of overused tropes executed in the most uninteresting way. The dialogue is poor, character interactions even poorer, and the new characters add nothing except clutter, stealing screen time from the main cast-who end up feeling like guests in their own franchise. Even the visuals feel tired and uninspired, which is especially disappointing given the potential of such a unique premise and the always-wonderful cast. With these characters and this setup, the film could have delivered inventive storytelling and striking set pieces-but it doesn't.
A fourth movie is teased, and if it ever happens, I sincerely hope they hire a writer and director interested in making the sequel this franchise actually deserves.
While the second movie was already inferior to the first, at least it expanded the world and took the story in a new direction. With nine years to develop a sequel, you'd expect something fresh, ambitious, and worthy of the franchise. Instead, the filmmakers went for the laziest option possible: a blatant rehash of the first two films-especially the second-recycling the same story beats, structure, and even the same type of plot twist, just with different characters.
The movie is full of overused tropes executed in the most uninteresting way. The dialogue is poor, character interactions even poorer, and the new characters add nothing except clutter, stealing screen time from the main cast-who end up feeling like guests in their own franchise. Even the visuals feel tired and uninspired, which is especially disappointing given the potential of such a unique premise and the always-wonderful cast. With these characters and this setup, the film could have delivered inventive storytelling and striking set pieces-but it doesn't.
A fourth movie is teased, and if it ever happens, I sincerely hope they hire a writer and director interested in making the sequel this franchise actually deserves.
10 Horsemen is 6 too many.
There are just far too many team members now (9 active to the plot and 1 more thrown in at the very end), and still it was missing one notable name from the second movie that would have elevated it more.
This type of heist film is better when we have a small team of 4 doing a mission impossible / hustle / leverage type double movie-length episode.
I know Atlas by name, the other 9 I have no idea what there names were.
Less of the CGI camera tricks. More focus on actual real world tricks and using them to solve crime.
And keep the budget low. We don't need expensive race cars (with an ending that is resolved off screen, when the character just turns up. No explanation given). No home alone optical illusion museum to set things in. It was just stupid.
Seriously too much money was spent on the sets, when a tighter more-focused script was what is needed.
It's watchable and at least they vanished a silk in a TT. They explained how the diamond was switched out. As stupid as that was (same as the car stealing scene). Security around a billion pound diamond was laughable. Even more so when the twist at the end is revealed and you realise how pointless the rest of the movie was.
This type of heist film is better when we have a small team of 4 doing a mission impossible / hustle / leverage type double movie-length episode.
I know Atlas by name, the other 9 I have no idea what there names were.
Less of the CGI camera tricks. More focus on actual real world tricks and using them to solve crime.
And keep the budget low. We don't need expensive race cars (with an ending that is resolved off screen, when the character just turns up. No explanation given). No home alone optical illusion museum to set things in. It was just stupid.
Seriously too much money was spent on the sets, when a tighter more-focused script was what is needed.
It's watchable and at least they vanished a silk in a TT. They explained how the diamond was switched out. As stupid as that was (same as the car stealing scene). Security around a billion pound diamond was laughable. Even more so when the twist at the end is revealed and you realise how pointless the rest of the movie was.
Boring
My least favorite of the three movies. Felt like I was watching an escape room movie. Kind of boring. Love the actors, but just fell flat for me. Luckily I saw the preview for free. Just wasn't as thrilling and entertaining as the other two movies. I'd suggest waiting til it comes out on a streaming platform. . .
Fast and Flippant. Entertainment with plot falls. Too many characters
This film delivers plenty of fun, energetic moments and strong chemistry among the cast, and my 11-year-old-along with many kids age 8-18 in the theater-absolutely loved the absurd, fast-moving magic and humor. Kids don't worry about whether the tricks make sense, and for them it's a blast.
But the writers, director and producers GROSSLY overproduce this flashy sequel to the max. Isla fisher wears a fancy dress in the woods or in action sequences that make your eyes roll. ANY REALISM from filmmakers would help.
For adult, the movie often feels closer to reality-show spectacle-think Masked Singer meets America's Got Talent-than a grounded cinematic story. Your magicians fight WWII Evil. The sets and character design are impressive, but the nonstop implausible stunts and plot holes make it hard to stay invested in the world they're trying to build.
Still, if you overlook the "jump-the-shark" magic moments and just enjoy the popcorn-movie chaos, it's entertaining enough. My daughter gave it an A. I landed on a B mostly thanks to Woody Harrelson and Jesse Eisenberg, who bring enough charm and humor to offset the rapid-fire absurdity. (We completed premier with Cinemascore voting.)
Like many sequels since the '80s, it tries to do too much-too many new characters, too much flash, too much caffeine-and in the process loses warmth, character focus, and believability. But it is entertainment, and we're glad we saw it in a theater, where the spectacle feels bigger and more fun than it would on a streaming screen.
But the writers, director and producers GROSSLY overproduce this flashy sequel to the max. Isla fisher wears a fancy dress in the woods or in action sequences that make your eyes roll. ANY REALISM from filmmakers would help.
For adult, the movie often feels closer to reality-show spectacle-think Masked Singer meets America's Got Talent-than a grounded cinematic story. Your magicians fight WWII Evil. The sets and character design are impressive, but the nonstop implausible stunts and plot holes make it hard to stay invested in the world they're trying to build.
Still, if you overlook the "jump-the-shark" magic moments and just enjoy the popcorn-movie chaos, it's entertaining enough. My daughter gave it an A. I landed on a B mostly thanks to Woody Harrelson and Jesse Eisenberg, who bring enough charm and humor to offset the rapid-fire absurdity. (We completed premier with Cinemascore voting.)
Like many sequels since the '80s, it tries to do too much-too many new characters, too much flash, too much caffeine-and in the process loses warmth, character focus, and believability. But it is entertainment, and we're glad we saw it in a theater, where the spectacle feels bigger and more fun than it would on a streaming screen.
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Did you know
- TriviaThe film was announced by Lions Gate Entertainment CEO Jon Feltheimer in May 2015, more than a year before Now You See Me 2 (2016) was released in June 2016.
- GoofsMerritt McKinney knew what had happened to Thaddeus Bradley after Merrit was brought directly to the police station and the cell, likely without talking to anybody. He would not have known as he didn't see the shooting.
- ConnectionsFollows Now You See Me (2013)
- SoundtracksCrusades
written by Max Bassin, Dominic DiGesu, Gus Green, Foster Hudson, Cameron Winter
performed by Geese
courtesy of: Partisan Records / PIAS
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Phi Vụ Thế Kỷ: Thoắt Ẩn Thoắt Hiện
- Filming locations
- Belgium(Exterior)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $90,000,000 (estimated)
- Gross US & Canada
- $49,678,000
- Opening weekend US & Canada
- $21,013,793
- Nov 16, 2025
- Gross worldwide
- $186,978,000
- Runtime
- 1h 53m(113 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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