IMDb RATING
7.1/10
5.1K
YOUR RATING
A married film director falls for a young painter - twice.A married film director falls for a young painter - twice.A married film director falls for a young painter - twice.
- Awards
- 15 wins & 12 nominations
Jeong Jae-yeong
- Ham Cheon-soo
- (as Jae-yeong Jeong)
Youn Yuh-jung
- Duk-soo Kang
- (as Yeo-jeong Yoon)
Choi Hwa-jeong
- Soo-young Bang
- (as Hwa-Jeong Choi)
Seo Young-hwa
- Yeong-sil Joo
- (as Young-hwa Seo)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn every scene in which the characters are drunk the actors are actually drunk as well.
- Quotes
Ham Cheon-soo: Try to discover something every second of every day, from everything around you.
- Crazy creditsTitle card of the film is seen twice. In the first place, it reads as 'Right Then, Wrong Now'; and in the second (an hour into the film) as 'Right Now, Wrong Then'.
- ConnectionsFeatures Hill of Freedom (2014)
Featured review
Going into this movie knowing nothing but the summary I was filled with high hopes, wondering what route the movie was going to take, or how it would tackle the much used topic of "love" and "loneliness". Such hope, unfortunately, soon fell short and turned into disappointment.
"Right Now, Wrong Then" poses a simple yet intriguing plot. A man meets a women out of chance, and they start talking. Having such a basic and linear story, the director goes to great lengths to subvert the narrative. The first half, constituting what can probably be described as a "realist" perspective on chance encounters between strangers, end up with disillusionment and leaves the audience with a feeling of lingering loneliness all around. The main characters start alone, and they end alone. The second half is akin to a "hopeful" or "illusioning" twist in the story. All the events are the same, except for how the main characters act, with their qualities being more transparent, honest, and virtuous. In the same way that the movie finishes "lost" in the snowfall, so do we as spectators end wondering which of the halves corresponded to the "truth".
In all these respects the movie poses an interesting twist to traditional love stories. However, upon finishing, I was left feeling as though the potential was lost. Albeit naturally awkward, some of the interactions between the main characters feel out of place and purposefully dragged to fill up time. A stark example of this is how in both halves of the movie, the director almost forces Yoon Hee-jeong to go for a coffee. Sure, it could be argue his attitude is explained by his yearning for companionship, however, in my opinion, it showed him as essentially instrumentalizing others for his own ends, making it difficult to relate.
All in all, Hong Sang-soo delivers an entertaining and promising movie, albeit without reaching its full potential.
"Right Now, Wrong Then" poses a simple yet intriguing plot. A man meets a women out of chance, and they start talking. Having such a basic and linear story, the director goes to great lengths to subvert the narrative. The first half, constituting what can probably be described as a "realist" perspective on chance encounters between strangers, end up with disillusionment and leaves the audience with a feeling of lingering loneliness all around. The main characters start alone, and they end alone. The second half is akin to a "hopeful" or "illusioning" twist in the story. All the events are the same, except for how the main characters act, with their qualities being more transparent, honest, and virtuous. In the same way that the movie finishes "lost" in the snowfall, so do we as spectators end wondering which of the halves corresponded to the "truth".
In all these respects the movie poses an interesting twist to traditional love stories. However, upon finishing, I was left feeling as though the potential was lost. Albeit naturally awkward, some of the interactions between the main characters feel out of place and purposefully dragged to fill up time. A stark example of this is how in both halves of the movie, the director almost forces Yoon Hee-jeong to go for a coffee. Sure, it could be argue his attitude is explained by his yearning for companionship, however, in my opinion, it showed him as essentially instrumentalizing others for his own ends, making it difficult to relate.
All in all, Hong Sang-soo delivers an entertaining and promising movie, albeit without reaching its full potential.
- paulo-m-a-gominhas
- Mar 24, 2024
- Permalink
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Details
Box office
- Gross US & Canada
- $24,470
- Opening weekend US & Canada
- $5,291
- Jun 26, 2016
- Gross worldwide
- $680,728
- Runtime2 hours 1 minute
- Color
- Aspect ratio
- 1.85 : 1
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