User reviews

"Te3n" is a thriller concerning the investigation of an old grandfather to find the kidnapper of her granddaughter who was kidnapped and killed eight years ago, after the police is unable to solve the case. The film starts somewhat slow, but as the film proceeds, the suspense deepens and the end astonishes and takes your attention from what had happened in the beginning. The suspense has a right touch and the spooky twists may be the brainchild of the Korean Film "Montana" on which it's based. But the genuine thing to watch in the film is the controlled and stand out performance by Amitabh Bachchan which is phenomenal. Vidya Balan and Nawazzudin Siddique also do their roles well but somewhat look weary. Overall, the film begins a bit slow and sets to its suspense soon.

Rating: 2 stars out of 4

4 reasons we are watching this - Amitabh Bachchan, Nawazuddin Siddiqui, Vidya Balan and finally this is the Hindi remake of only one of the best Korean non-derivative thrillers in recent years called Montage that not many people even know about. If you have seen Hindi remakes you would know they can often surprise you with a new spin on familiar proceedings. We already know how everything would pan out but we were still kept spellbound.

It is impossible to write a synopsis without unintentionally dropping a spoiler, so I am going to keep it very simple. This is a story about a grandfather (Amitabh Bachchan), a priest (Nawazuddin Siddiqui) and a police officer (Vidya Balan) coming together to solve a case of a kidnapped child.

Montage (2013) was one helluva movie. It plays with an overly familiar premise of a kidnapped child but it weaves such an inventive spin on the genre that it rises up like a phoenix from the ashes. The emotional weight coupled with the gripping narrative and a superb sleight-of-hand play with fractured timelines transcends way above derivative thrillers that barely register a blimp on your consciousness. It is a film that one can't quite conveniently pigeonhole into the usual boxes. This is ripe for a remake.

I know both of us, while being kept spellbound, were unconsciously comparing both versions. After it ended our conversations eddied around different aspects of both versions. In fact, we will be re-watching Montage this evening. That is how much we love the incredible story. Both have their pluses and minuses, and it is such an interesting activity to see the different trajectories taken by two different types of world cinema.

One of the major nitpicks we have with Te3n is the lumbering pace in the first half hour. What should have been a relentless ride nearly dissolves into weepy melodrama. Montage never once had this issue because it has a superb sense of urgency with the statute of limitations for the unsolved case running out. The director, Ribhu Dasgupta, should have trusted the acuity of the audience to join the dots, but it was just content to cement the fact that Bachchan's John and Siddiqui's Martin are empty shells of a man because of the devastating incident 8 years ago. These are not ordinary actors - when Amitabh Bachchan says he is sad, we know in our very bones he is earth-shatteringly overwhelmed with sadness. There is no need to give us half an hour of him moping around. I don't mean to say I was bored looking at him because I absolutely wasn't; there are not many actors out there I would pay to watch them do nothing and with little soliloquy like Bachchan and Siddiqui. Bachchan and Siddiqui are just magnetic to watch.

Compared to the Korean original, the ending feels a little blotched and IMHO doesn't quite reach the same zenith set by Montage (we are watching again just to find out if we are right). I recalled the final wordless scene in the Korean film that really hit me in the gut and I failed to hold back a torrent of tears from streaming down my face. That scene seals up everything so marvellously. Te3n could have used the same scene. However, kudos still to a superbly made film that uses the city of Kolkata so well; it feels like it is the 4th major character of the film. Even though I knew the outcome of the story and remembered every twist and turn, Te3n still manages to surprise me with its intensity and its commitment to tell a good story. This is the type of story that has so many moving parts that one wrong turn it would fail, but it doesn't. If you choose to look closely you probably will see loopholes but you won't want to because the story has so much verve. This is easily one of the best films I have seen this year.

Well, Te3N is a consummate example of excellent acting by Amitabh Bachchan, Vidya Balan & Nawazuddin Siddiqui. It is a remake of the famous and award winning 2013 South Korean movie- 'Montage', with few twists and turns. As the crime story unfolds, it keeps you wondering to it's possibilities. The film for not once lets you yawn(except if you're sleepy of course :P) I will suggest you to go through the trailer which intricately carves out the story line in gaps, obviously since it's a suspense thriller.

Now since you've seen this. let's talk about the Story Plot:

John Biswas, a grand-father (Amitabh Bachchan) is in deep shock even after 8 years of kidnapping of his grand-daughter, named Angela Roy. His own wife is very sick and wheel-chair bound. Despite all circumstances, he daily visits police station without fail. Coincidently he comes across a clue and simultaneously another kidnapping of same nature happens, baffling the police. Sarita Sarkar(Vidya Balan) is made to handle the case, while she is of little knowledge of Kidnapping cases, but still decided to go on with it. She thinks to demand help from Father Martin(Nawazuddin Siddiqui) who has been a former cop, and was involved in handling Angela's case. Thus, knowing the series of operations that happened in the past, he comes to support partially by providing clues. Rest all you will get to know when you go for the movie.

Let's hop to Acting now:

Though Amitabh Bachchan is a clear ruler out of all, but the co-cast do not fail promising delivery. Nawaz is always a fit-into-all. Vidya Balan is simply magnificent though her screen time is a little less.

Direction: Well, Ribhu Dasgupta has definitely had a great entry to Bollywood with a great ensemble of cast. The Direction is good and makes you feel into the story and impacts much realism.

Cinematography: Mostly we forget these aspects which make us trust in the story. The movie has appreciably captured the essence of Kolkata, the lanes, the market everything. You are familiar with the pain in the dimmed rooms, having tea or food with with perfect shots.

Dialogues: Well not many imapactful dialogues but a great attempt. I loved the one where Vidya says "Jo Khud Ka Kaam Na Kar Paaye, Wo Khua Ka Kya Karega?"

Music: Well, the music in the movie is all about pain, the background score will also relate you to that. It is soft to the ears and the heart. I would say some average pieces by Clinton Cerejo.

In all, I give the movie a 7/10. I suggest it is a one -time watch with a mind-boggling story and as already stated a good package of everything. Go ahead. :)

"Te3n," directed by Ribhu Dasgupta and released in 2016, is an Indian thriller that masterfully weaves a tale of grief, justice, and the relentless pursuit of closure. Inspired by the South Korean film "Montage," this gripping narrative takes viewers on an emotional journey that lingers long after the credits roll.

The film stars Amitabh Bachchan as John Biswas, a frail yet determined grandfather whose life has been overshadowed by the tragic kidnapping of his granddaughter, Angela, several years prior. Despite the passage of time, John remains haunted by the loss, finding solace in his daily routine of searching for answers while navigating the complexities of his grief. His performance is nothing short of magnificent, evoking a profound sense of sorrow and resilience that resonates deeply.

Supporting him in this heartfelt quest are Vidya Balan as a determined and compassionate police officer, and Nawazuddin Siddiqui as a cynical yet deeply invested investigator. Each character brings unique qualities to the story, with their performances adding layers of complexity to the narrative. Vidya Balan effectively portrays the balance between professionalism and personal investment, while Nawazuddin Siddiqui showcases a character grappling with his own demons, making for a compelling dynamic among the trio.

The storytelling in "Te3n" is nuanced and intricately plotted, gradually unfolding its layers of mystery. The film expertly keeps the audience guessing with its clever twists and turns. As John navigates the labyrinth of the criminal justice system, the movie not only captures his determination but also delves into the broader themes of parental love, loss, and the moral dilemmas surrounding vengeance and justice.

One of the standout features of "Te3n" is its atmospheric cinematography by Tushar Kanti Ray. The film captures the bustling streets of Kolkata, enhancing the story's depth and visually representing the grit and emotion of urban life. The sound design and score further elevate the tension, skillfully intertwining with the narrative to create an immersive viewing experience.

What sets "Te3n" apart is not just its engaging plot but its exploration of deeper psychological themes. It questions the nature of justice and the lengths one is willing to go to find closure. As John becomes increasingly desperate, his actions raise moral questions that resonate throughout the film, prompting viewers to reflect on their own definitions of justice and forgiveness.

While "Te3n" may not have garnered widespread acclaim upon its release, it deserves recognition as a poignant and thought-provoking film. The script's depth, combined with strong performances and expert direction, makes it a compelling watch for those who appreciate character-driven narratives and thrillers that offer more than mere entertainment.

"Te3n" is a gripping and heartfelt thriller that crafts a poignant story about a grandfather's relentless search for truth amidst unbearable loss. Its exploration of human emotions and moral dilemmas elevates it above conventional crime films, asserting its place as a memorable piece of cinema. For anyone searching for a film that will not only keep them on the edge of their seats but also touch their hearts, "Te3n" is undoubtedly worth a watch.

I watch mostly International films and series, with favorites being Indian and South Korean. So I'm a bit biased toward them, but I'm rarely disappointed either. This one works just fine because of always wonderful Amitabh Bachchan and his supporting cast. It's a bit predictable but still interesting with just the right edge of suspense and satisfying resolution. The music is also good with some effective touches in the second half. I enjoyed this one for a Saturday afternoon break.

The good: The movie, as the credits indicate, is derived at least partly from the Korean movie "Montage". The story is quite suspenseful and the director does a good job juggling between various interweaving stories and time periods. Performances from the lead actors are solid and little to fault there. The negatives: My main gripe with the movie is that it contains several idle moments which do not seem to serve much purpose to either the development of the plot or characters or the overall experience. Overall verdict: Otherwise, the script is solid and the movie is well worth a watch. It also continues the gradually building list of quality Hindi whodunits with West Bengal (more specifically Kolkata) as the backdrop after Kahaani and Byomkesh Bakshi. I would also recommend Baishe Srabon, an excellent thriller in Bengali language, for whodunit fans

Synopsis: The story is set in Kolkata where John Biswas (Amitabh) lives with his sick, wheelchair bound wife. John hasn't moved on in life even after 8 years since the death of his granddaughter Angela in a kidnapping incident. He needs closure and keeps pursuing the case, especially since he blames himself for her death. Father Martin (Nawazuddin Siddiqui) is an ex-cop turned priest. Martin, the cop in charge of John's case has a life changing experience due to the tragedy.

Suddenly after 8 years, John stumbles upon new clues in the case which might lead him to the killer. Not having too any expectations from the police he decides to investigate the leads himself.

In the meanwhile, a second kidnapping takes place which has an uncanny resemblance to the kidnapping of John's granddaughter eight years ago. Events occur in an identical pattern where Manohar's (Sabyasachi Chakraborty) grandson Ronnie is kidnapped. The case is handed over to Sarita (Vidya Balan) who seeks help from Martin to nab the kidnapper, due to his prior experience with the Angela case.

Investigations in these two cases set eight years apart, one by Amitabh and the other by Vaidya and Nawaz happening in parallel with some flashback scenes form the crux of this gripping psychological thriller.

Cast: The main cast namely Amitabh, Nawaz, Vidya and Sabyasachi play their roles to perfection keeping the audiences glued to their seats. Amazing performances indeed!! Direction Music and Editing: Ribhu Ghosh's direction is superb keeping the plot on track, that along with slick editing keep the audiences hooked till the very end of the film. Music is good and compliments the narrative very well.

As a writer, I could think of at least three alternate endings for the film. The makers have however chosen the most "humane one" and not the most "gripping, edge of the seat one" which could somewhat disappoint die-hard "Whodunit" fans. Well, having said that; the ending is not bad at all and you come out of the cinema hall feeling satisfied that your money has been well spent.

My Verdict: Great performances, direction, nice gripping storyline with an ending to watch out for. Is it a serial killer who has come out of hibernation after eight long years or is there something else to it?? Don't want to reveal too much here. Guys, bindaas jaake theatre main dekho!! You won't be disappointed. If you liked Vidya Balan's Kahani, you will love this one too!! 8/10 from me for this highly entertaining movie!!

This movie is the official remake of Korean movie montage

First things first..didn't watch "Montage" korean film..on which this movie is based..and i don't want too either...let me explain why in one word..."Amitabh Bachhan"

Acting was brilliant...Amit ji, Nawazuddin and Vidya Balan were awesome to watch... (vidya had less screen time unfortunately)

Amitabh played a character who is devastated and sad...watching him..made me feel for the character.. made me feel sad too...it was acting at its finest

Nawazuddin plays a character who is disillusioned and keen to turn his life over...and is trying hard to but is lost anyway unless he finds redemption

Kolkata itself becomes a character thanks to good cinematography

For a thriller, screenplay lags a bit...but it never feels long...with emphasis on characters, mind boggling twists...clever reveals and an ending that is near perfect make this simple kidnap story...achieve a connect with the characters that is rare in this genre...

Background music and songs deal about pain..and complement well with movie

Must watch for Amitabh fans...A contemporary classic from director Ribhu Dasgupta

Only thing this movie did right was to give credit to Montage, the original. Saying based on Montage, the movie. Well it was a scene by scene rip off. They couldn't bring in Statue of limitations angle coz of Indian law. And that's it. I can understand if you try to remake a 70s thriller, but this was barely 5 years old. This would have taken a month to copy the script and write the dialogues. And probably less than a month to shoot. Recipe for C grade movie. Even young filmakers would have out more efforts and bring in some creativity for a narrative that's already told. Well it's India and Amitabh literally features in all such copycats from Kaantey to Great Escape to The invisible guest and now this. Well there are so many more but ....

These are indeed dark times for Bollywood. In a time when this industry is churning out so much crap and feeding it to the audience just for the fact people have become addicted to star names this film still acts a refreshment.

When you see so many talented names in a movie and almost feel "Kahaani" like aura, you're bound to get lured. Your expectations rise hoping this is going to be the handful decent Bollywood movies of the year. It sadly wasn't for me. The plot is certainly very interesting, most dialogues also feel natural but the huge number of loopholes in a suspense film like this is bound to ruin the realism factor that keeps you hooked. I just think there were some parts of the films that weren't needed because they stretch the loopholes even further and makes the scenes plain absurd, I refuse to believe no one saw them while filming it or at least during the editing of the film. Seems like they just wanted to finish the film and be done with it.

Only if they had made some effort to fix those plot errors or just removed them completely, it could have been much more better. Maybe even better than "Kahaani".

This is the kind of thriller for which you wait all your life while watching mediocre and crappy ones and hoping one day something awesome will come your way. The story unfolds slowly, as if mirroring the grandfather's (Amitabh) way of trying to find the truth. Like his consistence and single mindedness at arriving at the truth and delivering justice, the film moves steadily and surely towards that one goal. Nawazzuddin, the police officer turned priest, is eclectic in his nuanced performance. Vidya is good, but Tabu would have been better as the decisive police officer (like in Drishyam). Vidya falls short of making the character memorable. Sabyasachi is awful, as he generally is-all the worse because his is an important role. Kolkata is in itself a character in the film and lends the poignant old world rusty grace that the film requires. Cinematography is good, though the editing could have been a tad bit better. But, over and above all these rise the film itself- being more than merely the sum of its parts. It comes together and falls into place like a beautiful jigsaw puzzle, lending satisfaction to the thriller lover. Go for it if you love real, plot based thrillers. You will be aptly rewarded.

Mastercopy of Korean "montage" Well though it's a remake version, the cast and crew did a good job.. I specially liked the movie for nawazuddin siddique

The movie is like a slow poison, slowly it takes your hold,grows on you and till climax it has completely gripped you.

Story is unique, and ...its suspense thriller so i cant tell u much.

Coming to performances,Amitabh has ensured a long list of awards to his Kitty(Might be National award too). Nawaz and Vidya don't let you down. Dilogues,story, screenplay are winners. Direction is mature and clever.

Cinematography and Background score gets brownie points too.

VERDICT: For all suspense thriller lovers this is a treat to Watch.... A Must Watch.

PS: First half is slightly slow but don't worry in interval, second half especially last 30 minutes will keep you right on edge of the seat.

The genre of serious crime thriller has arrived in Bollywood. We have already had excellent films like 'kahani', 'talash' and now Ribhu Dasgupta gives us 'te3n'.

In 1997 I joined a queue under scorching midday sun to buy a ticket for 'Mrityudata' (one of Amitabh Bachchan's totally forgettable middle-age fares) and felt it was time to write him off. Twenty years down the line, he reigns supreme over the Indian film industry, going from strength to strength, reinventing and surpassing himself time and again. That itself could have been enough for 'te3n' but the director also decided to throw Nawazuddin Siddiqui, Vidya Balan and Sabyasachi Chakrabarti in. A viewing pleasure.

Many have complained about the slow pace. For me that set the tone of the story. An excellent story, told by an exceptional ensemble cast - the perfect fare for a lazy Sunday afternoon. We are told that the story-line has been taken from a Korean one, but its adaptation into the slowly decaying Anglo-Indian community of Kolkata has been flawless.

My only serious grouse is about Sabyasachi Chakrabarti. A brilliant actor, a versatile presence in the Bengali (large and small) screen. However, the way he has let his appearance go in recent years has been a source of terrible disappointment to his appreciative viewers.

Believe me this film will make you cry when you see Amitabh face during some scenes. He acted so well that you feel its really happening. He is the best actor ever born in India. Even at this age he can hit a film at his own.

One of the best suspense thriller ever made in history of Indian Cinema.

Te3n is an intense dark whodunit thriller with some sub-layers. Story revolves between three main character John Biswas (Amitabh), Martin (Nawaz) and Sarita (Vidya). John plays victim whose granddaughter Angela had been kidnapped and being murdered 8 years ago. He still is searching the man who kidnapped Angela. Investigation officer of that time Martin failed to solve the case and turned into a 'padri'. Sarita is the new investigation officer and an incident connected these three people that after 8 years of Angela's kidnap, another occurrence has taken place and of same style. The film is on searching the kidnapper. It's skilfully simple but very brilliantly rendered. It is very clear that the relation between Amitabh and director Ribhu Dasgupta is awesome that portrayed in the ease of execution of the film. Making a television series 'Yudhh' with Big B definitely made the difference. Also producer Sujoy Ghosh mastered the technique of working with Amitabh. Big B is just on the top form of his career as he is delivering master class again and again. Through the film he carried the grief of a victimized old man is just next to best and peerless. But the character more or less carried the same tone of victimized senior citizen he recently played in Vidhu Vinod Chopra's Wazir and its very co-incidental that the treatment of these two characters is almost same. In both of the case after being a victim of a situation where the system failed to do the needful then it turned into a one man show but in comparison to supporting role, Wazir's Farhan Akhtar got more scope to act than Nawaz in 'Te3n'. Nawazuddin Siddiqui, probably one of the most talented actor Bollywood ever have is as usual worth watching but there were no such extra scope for any actor except Big B to excel their previous best. But Nawaz's character portrayed dual tones as he played investigation officer first then he turned to a father in a church and the slight difference of two mannerisms is present. In 'Kahaani' Nawaz was a rude police officer whereas this time he is on receiving end. Vidya Balan reminds us of 'Kahaani again through her looks and portrayal of a investigation officer. Sabyasachi Chakraborty (Mr. Sinha) plays a significant role but the trademark sharpness of his acting is nowhere and he is just a misfit for the thriller. Watching him on screen was a real shock as he remains expressionless. As the director and producer are 'Bangali' there is no big deal that some Bengali actor shown face in the film. Tota Roychowdhury, Sagnik and Arindol Bagchi grab a blink and gone role but their character never affects the film. It's really a negative sign that just because of a Bollywood film the efficient actors from Kolkata are showing their face in a random basis without any aim to be noticed. The entire film has been made in Kolkata. The feel of the tiny by lanes, trams and ancestral house of city through Tushar Kanti Roy's lens is undeniably a visual treat for Bengalis. Khidirpore, Lalbazar, Wrtiters Building, Second Hooghly Bridge, Rabindra Setu, Nimtala Ghat, Cemetry to idol immersion just like a heritage tour of Kolkata. In a chase sequence the use of Santragachhi car shed is very indicative and seems real because the presence of original car shed. Last time in Shoojit Sircar's 'Piku', where Amitabh plays a Bangali Babu was mostly shot in Kolkata but 'Te3n' is completely a Kolkata based story. Ribhu had done a commendable job but editing and background score would have been better. The set designing has fulfilled all the criteria of detailing as presence of radiogram and old fashion wooden cabinet in Amitabh's house is superb. Using a going to be a scrap scooter somehow complemented the economic class of the character. Bargaining in the fish market and thumb-pressing the fish to check freshness is typical Bengali attire and Big B is just stupendous in all the frames. Uses of song are justified but using Bengali song "Sujan Majhi Re'' is to instigate the Bengali sentiment. Director successfully leaved a conjecture game through the film for the viewer which is most important for a whodunit. Now, why Te3n? There are three main character involved in search of a criminal in three different ways and three different mindset. They reached on three different conclusions but the mastery is here that three of them are right on legal way. This unique treatment made 'TE3N' a worth watching thriller.

Remember that reasonably engrossing Hollywood thriller Se7en, in which two sleuths go looking for a serial killer with a thing for the seven deadly sins?E3N gimmicks its name similarly and gives us three characters in search of a criminal, but it doesn't borrow any of the smarts from the Hollywood film. This official remake of a Korean mystery with a kidnapping and a death at its heart is a sluggish drag for the most part, brightened only occasionally by a scene or a line.Bachchan plays John, an elderly man still stunned by grief, eight years after the death of a little girl. He will continue to search for the person who caused it, despite being dissuaded by people all around him : wheelchair-bound wife ( Padmavati Rao), sympathetic policewoman Sarita ( Balan), and cop-turned-priest Father Martin ( Nawaz). He will persist with his dogged pursuit for justice and truth whatever happens. A fresh kidnapping turns on the spotlight on the old case again, and as new clues come to light, John's search acquires an intensity and purpose, and we sense, as he does, the coming of an end which will lead to some answers and a sort of peace.This kind of dark story with vicious undertones ( whenever a little girl goes missing, a shiver goes down your spine) could have become a terrific morality play. How does a shocking death, especially of a young life, impact the living? Is it living or a counting out the days till your own passing? Is grief something you can ever get past? And how does guilt play out in all this? TE3N is a case of sadly missed opportunities. Because there are rousing actors in here, and there's a real city to play it all out in. Kolkata is a perfect location for a film like this with its atmospheric patches and the iconic Howrah-Hoogly vistas, reminding you of producer Sujoy Ghosh's far more engaging 'Kahaani', but how a man clad in a dark hoody ( in sultry Kolkata) manages to move around those streets so freely remains an unsolvable mystery.

Its treatment does both place and characters in, turning everything lackadaisical. In its attempt to be less 'dark', loud background music is added in at each step. The plot has too much fuzz, and the characters are all surface : Bachchan's droopy facial lines, Balan's stolid-cop-stomping—these painstakingly drawn outlines call attention to themselves, but do not afford us inner details. Why is her full-fledged act termed a guest appearance? That mystery too stays unsolved. Only Nawaz's guilt-ridden priest breaks free once in a way, and a few red herrings infuse some intrigue, especially towards the end.

Since 2013, I'm sure I have seen at least 5 films that are based on the topic of self-righteous crime where the protagonist takes law into his own hands and embarks upon a journey to make peace with a certain crime that has affected his life. Ribhu Dasgupta's middling thriller is just that, plus a little slow.

John (Bachchan) is an aged, grief-stricken man whose granddaughter was kidnapped and subsequently killed by an unknown man 8 years ago. He had done all that he could to save the kid's life, including doing what he was told to do by the police, led by the unskilled detective Martin (Siddiqui). Presently, he has still not gotten over the incident and has resolved to attain justice, if not revenge. So he sets out, rather courageously and convincingly, racing back in time to decode what really happened. He seeks the help of Martin, who is now a padre at a local church after leaving police force and much more skilled at it. But more than he can help John find his granddaughter's killer, he assists Sarita (Balan), a detective who is investigating a kidnap case eerily similar to the one he handled 8 years ago...

The premise is fine and is set in the enigmatic state of Kolkata. But what affects the narrative is the dull execution. John is crestfallen, yes, but the aura that encapsulates him, and for that matter, every other character in the film, is very thin, and made of clouds which make everything look they are superficial. Not to mention the slow pace of the first half. The writers have given more importance and screen time to the lead actor than what was necessary, throwing the narration partially under the bus. This makes the plot look like it is only a pillion rider without a helmet.

What a man can and will do to finally attain peace during testing times is what the primary theme of the film is. Taking the law into his own hands, simultaneously teasing the law-enforcers about their incapability and callousness, is what John explicitly engages in throughout the film. There are few loopholes in the film, which also raises questions about ethics and rationalism, but that is exactly what Mr. Dasgupta wanted to raise. For that, I'll give him a firm handshake. But it's because of the tepid execution that I will restrict the engagement time of that handshake to half of what I generally would.

Bachchan is terrific, but I must confess that his baritone voice can sometimes become inaudible to follow, no matter the media. Balan's is introduced as a cameo, but she has enough screen space to be a curious cop and to engage in top-layer and superfluous chemistry with Martin, whose celibacy is in question then. Supporting actors are good, especially Sabyasachi Chakrabarty.

A good score and average camera work further makes the film watchable for people who love thriller mysteries. But the predictability of the plot again forces me to remind potential viewers that, overall, the film is mediocre, but better than Wazir (2016).

BOTTOM LINE: Ribhu Dasgupta's Te3n is an average attempt at a crime thriller where the protagonist mocks the police and gets away with crime just because his cause is a good one. Wait for DVD, and then rent it. And then forever lapse into a reverie thinking about the meaning of the title.

Can be watched with a typical Indian family? YES