Aki Kaurismaki’s latest was tops pack of Berlinale competition titles.
The final scores have now been submitted for Screen’s 2017 Berlin jury grid and the winner has been crowned.
Reigning atop the pile of competition titles is Aki Kaurismaki’s The Other Side Of Hope, which clocked an impressive average rating of 3.7 from a possible four stars from Screen’s jury of international critics.
A late entrant was Liu Jian’s Have A Nice Day, which landed in second position on the Grid’s final day with 3.3 (though three scores were not submitted).
The final day’s other new title was Calin Peter Netzer’s Ana, Mon Amour, which scored a middle-of-the-pack 2.2 (with two scores not submitted).
Rounding out the overall top three was Sebastian Lelio’s early pace-setter A Fantastic Woman, which clocked 3.0, and Hong Sang-soo’s On The Beach At Night Alone, also on 3.0.
Propping up the grid was Marcelo Gomes’s Joaquim, on 1.2 (with...
The final scores have now been submitted for Screen’s 2017 Berlin jury grid and the winner has been crowned.
Reigning atop the pile of competition titles is Aki Kaurismaki’s The Other Side Of Hope, which clocked an impressive average rating of 3.7 from a possible four stars from Screen’s jury of international critics.
A late entrant was Liu Jian’s Have A Nice Day, which landed in second position on the Grid’s final day with 3.3 (though three scores were not submitted).
The final day’s other new title was Calin Peter Netzer’s Ana, Mon Amour, which scored a middle-of-the-pack 2.2 (with two scores not submitted).
Rounding out the overall top three was Sebastian Lelio’s early pace-setter A Fantastic Woman, which clocked 3.0, and Hong Sang-soo’s On The Beach At Night Alone, also on 3.0.
Propping up the grid was Marcelo Gomes’s Joaquim, on 1.2 (with...
- 2/20/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
“Gold ruins everything. First the land, then the man.” That’s the gist of Marcelo Gomes’ ambitious historical epic, set in 18th-century Brazil when the South American colony’s people and resources were being exploited under Portuguese oppression. A fictional tale partly based on the life of leading Brazilian separatist Tiradentes (real name Joaquim José da Silva Xavier), Gomes’ film aims to keep the spirit rather than adhere to true events of his nascent independence movement. It’s more a reflection on how inequality and oppression so endemic in colonial times continue into today’s Brazil.
Joaquim (Julio Machado, a rugged Hugh Jackman look-a-like) is a soldier serving the Portuguese crown, catching smugglers in a part of Brazil whose formerly rich supply of gold is running dry. His poor upbringing is still better than the slaves and “indians” who work under him, with whom he gets on better than many of his Portuguese peers.
Joaquim (Julio Machado, a rugged Hugh Jackman look-a-like) is a soldier serving the Portuguese crown, catching smugglers in a part of Brazil whose formerly rich supply of gold is running dry. His poor upbringing is still better than the slaves and “indians” who work under him, with whom he gets on better than many of his Portuguese peers.
- 2/17/2017
- by Ed Frankl
- The Film Stage
A national hero in Brazil, Joaquim Jose da Silva Xavier was an 18th century colonial foot soldier who turned against his Portuguese paymasters, co-founding an underground rebel group called Inconfidencia Mineira, who plotted to overthrow the occupying powers and establish an independent Brazilian republic. Nicknamed "Tiradentes" ("teeth puller") due to his skills in dentistry, Xavier never got his revolution. Instead he was betrayed, tried and executed, his body quartered and his head mounted on a spike.
This grisly image is how Brazilian writer-director Marcelo Gomes begins Joaquim, with Xavier (Julio Machado) narrating his own cruel fate from beyond the grave like...
This grisly image is how Brazilian writer-director Marcelo Gomes begins Joaquim, with Xavier (Julio Machado) narrating his own cruel fate from beyond the grave like...
- 2/16/2017
- by Stephen Dalton
- The Hollywood Reporter - Movie News
On The Beach At Night Alone scores second-highest rating of competition so far.
On the penultimate day of Screen’s 2017 Berlin Jury Grid, Hong Sang-soo’s On The Beach At Night Alone posted the joint second-highest score of the competition so far.
Screen’s jury of international critics awarded the film a rating of 3.0 from a possible four-stars, tying it with Sebastian Lelio’s A Fantastic Woman.
The day’s other new entry was Marcelo Gomes’ Joaquim, which faltered to a 1.2 rating (with two scores yet to be submitted).
Aki Kauismaki’s The Other Side Of Hope continues to lead the way on 3.7.
Screening today are Liu Jian’s Have A Nice Day and Calin Peter Netzer’s Ana, Mon Amour.
Review: ‘On The Beach At Night Alone’: Berlin ReviewReview: ‘Joaquim’: Berlin Review...
On the penultimate day of Screen’s 2017 Berlin Jury Grid, Hong Sang-soo’s On The Beach At Night Alone posted the joint second-highest score of the competition so far.
Screen’s jury of international critics awarded the film a rating of 3.0 from a possible four-stars, tying it with Sebastian Lelio’s A Fantastic Woman.
The day’s other new entry was Marcelo Gomes’ Joaquim, which faltered to a 1.2 rating (with two scores yet to be submitted).
Aki Kauismaki’s The Other Side Of Hope continues to lead the way on 3.7.
Screening today are Liu Jian’s Have A Nice Day and Calin Peter Netzer’s Ana, Mon Amour.
Review: ‘On The Beach At Night Alone’: Berlin ReviewReview: ‘Joaquim’: Berlin Review...
- 2/16/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Aki Karuismaki’s The Other Side Of Hope remains top.
Of the two new entrants on today’s Screen Jury Grid at the Berlin Film Festival, Teresa Villaverde’s Portugal-France co-production Colo [pictured] was the star, scoring a respectable 2.7 from a possible four-stars.
The film particularly impressed Germany’s Katja Nicodemus, who awarded it a full four-stars, while Verena Lueken, also of Germany, opted to award it a solitary star.
Volker Schlondorff’s Return To Montauk, however, was unable impress the jury of international critics, clocking a rating of just 1.7, the second-lowest of this year’s scores after Oren Moverman’s The Dinner (1.3).
Aki Kaurismaki’s The Other Side Of Hope remains top on a rating of 3.7 and will take some beating as the competition enters its final stretch.
Debuting at the festival tomorrow are Hong Sang-soo’s One The Beach At Night Alone and Marcelo Gomes’ Joaquim.
Read: ‘Colo’: Berlin ReviewRead: ‘Return To Montauk’: Berlin...
Of the two new entrants on today’s Screen Jury Grid at the Berlin Film Festival, Teresa Villaverde’s Portugal-France co-production Colo [pictured] was the star, scoring a respectable 2.7 from a possible four-stars.
The film particularly impressed Germany’s Katja Nicodemus, who awarded it a full four-stars, while Verena Lueken, also of Germany, opted to award it a solitary star.
Volker Schlondorff’s Return To Montauk, however, was unable impress the jury of international critics, clocking a rating of just 1.7, the second-lowest of this year’s scores after Oren Moverman’s The Dinner (1.3).
Aki Kaurismaki’s The Other Side Of Hope remains top on a rating of 3.7 and will take some beating as the competition enters its final stretch.
Debuting at the festival tomorrow are Hong Sang-soo’s One The Beach At Night Alone and Marcelo Gomes’ Joaquim.
Read: ‘Colo’: Berlin ReviewRead: ‘Return To Montauk’: Berlin...
- 2/15/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Stanley Tucci, Catherine Deneuve dramas join competition; TV dramas and Oleg Sentsov doc set to get world premiere.
The Berlin International Film Festival has finalised its competition and Berlinale Special strands.
Joining the festival in Out Of Competition berths are Stanley Tucci-directed Final Portrait and Catherine Deneuve drama Sage Femme.
James Gray’s The Lost City Of Z will have its interntional premiere while documentary The Trial: The State of Russia vs Oleg Sentsov will have its world premiere.
Among TV world premieres are Amazon’s Patriot and BBC One’s SS-gb.
In total, 18 of the 24 films selected for Competitionwill be competing for the Golden and the Silver Bears. 22 of the films will have their world premieres at the festival.
For the third time, Berlinale Special Series will present a selection of TV series in the official programme. Six German and international productions will have their world premieres at the Haus der Berliner Festspiele this year...
The Berlin International Film Festival has finalised its competition and Berlinale Special strands.
Joining the festival in Out Of Competition berths are Stanley Tucci-directed Final Portrait and Catherine Deneuve drama Sage Femme.
James Gray’s The Lost City Of Z will have its interntional premiere while documentary The Trial: The State of Russia vs Oleg Sentsov will have its world premiere.
Among TV world premieres are Amazon’s Patriot and BBC One’s SS-gb.
In total, 18 of the 24 films selected for Competitionwill be competing for the Golden and the Silver Bears. 22 of the films will have their world premieres at the festival.
For the third time, Berlinale Special Series will present a selection of TV series in the official programme. Six German and international productions will have their world premieres at the Haus der Berliner Festspiele this year...
- 1/20/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Stanley Tucci, Catherine Deneuve dramas join competition; TV dramas and Oleg Sentsov doc set to get world premiere.
The Berlin International Film Festival has finalised its competition and Berlinale Special strands.
Joining the competition are
18 of the 24 films selected for Competition will be competing for the Golden and the Silver Bears. 22 of the films will have their world premieres at the festival.
The Berlinale Special will present recent works by contemporary filmmakers, documentaries, and extraordinary formats, as well as brand new series from around the world.
Berlinale Special Galas will be held at the Friedrichstadt-Palast and Zoo Palast. Other Special premieres will take place at the Kino International. Moderated discussions will follow the screenings at the Haus der Berliner Festspiele.
For the third time, Berlinale Special Series will present a selection of TV series in the official programme. Six German and international productions will have their world premieres at the Haus der Berliner Festspiele this year. Audiences...
The Berlin International Film Festival has finalised its competition and Berlinale Special strands.
Joining the competition are
18 of the 24 films selected for Competition will be competing for the Golden and the Silver Bears. 22 of the films will have their world premieres at the festival.
The Berlinale Special will present recent works by contemporary filmmakers, documentaries, and extraordinary formats, as well as brand new series from around the world.
Berlinale Special Galas will be held at the Friedrichstadt-Palast and Zoo Palast. Other Special premieres will take place at the Kino International. Moderated discussions will follow the screenings at the Haus der Berliner Festspiele.
For the third time, Berlinale Special Series will present a selection of TV series in the official programme. Six German and international productions will have their world premieres at the Haus der Berliner Festspiele this year. Audiences...
- 1/20/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The Berlin International Film Festival announced 13 additions to its 2017 line-up, including the international premiere of Danny Boyle’s hotly anticipated “Trainspotting” follow-up, “Trainspotting: T2,” and the world premiere of James Mangold’s “Logan,” the third in the growing “Wolverine” franchise, starring Hugh Jackman. Both films will play out of competition.
Read More: ‘Logan’ Trailer: Hugh Jackman’s Final Wolverine Movie Mixes The Superhero Genre With The Western
Hong Sangsoo’s “On the Beach Alone at Night” will make its world premiere at the festival, the latest from the idiosyncratic Korean director whose last film, “Right Now, Wrong Then,” garnered attention at festivals in 2016.
Other promising titles include the world premiere of “The Tin Drum” director Volker Schlöndorff’s “Return To Montauk,” starring Stellan Skarsgård, and “Viceroy’s House,” a period drama from the woman behind “Bend it Like Beckham,” Gurinder Chadha. The Austrian actor Josef Hader also will make...
Read More: ‘Logan’ Trailer: Hugh Jackman’s Final Wolverine Movie Mixes The Superhero Genre With The Western
Hong Sangsoo’s “On the Beach Alone at Night” will make its world premiere at the festival, the latest from the idiosyncratic Korean director whose last film, “Right Now, Wrong Then,” garnered attention at festivals in 2016.
Other promising titles include the world premiere of “The Tin Drum” director Volker Schlöndorff’s “Return To Montauk,” starring Stellan Skarsgård, and “Viceroy’s House,” a period drama from the woman behind “Bend it Like Beckham,” Gurinder Chadha. The Austrian actor Josef Hader also will make...
- 1/10/2017
- by Jude Dry
- Indiewire
X-Men spinoff and Trainspotting sequel to play Out of Competition.
A further 13 films have been invited to screen in the Competition and Berlinale Special section at the 67th edition of the Berlin International Film Festival.
The festival has added commercial clout to its Out Of Competition lineup in the shape of Danny Boyle’s T2 Trainspotting and X-Men spinoff Logan.
There are also competition berths for new films by Hong Sangsoo, Thomas Arslan, Volker Schlöndorff, Sabu, Álex de la Iglesia and Josef Hader.
Bend It Like Beckham director Gurinder Chadha’s latest, Viceroy’s House, will have its world premiere out of competition at the festival. Starring Hugh Bonneville alongside Gillian Anderson, the period drama set in 1947 India depicts Lord Mountbatten, the man charged with handing India back to its people.
Also having its world premiered out of competition will be Álex de la Iglesia’s The Bar, a comedy-thriller about a group of strangers who get...
A further 13 films have been invited to screen in the Competition and Berlinale Special section at the 67th edition of the Berlin International Film Festival.
The festival has added commercial clout to its Out Of Competition lineup in the shape of Danny Boyle’s T2 Trainspotting and X-Men spinoff Logan.
There are also competition berths for new films by Hong Sangsoo, Thomas Arslan, Volker Schlöndorff, Sabu, Álex de la Iglesia and Josef Hader.
Bend It Like Beckham director Gurinder Chadha’s latest, Viceroy’s House, will have its world premiere out of competition at the festival. Starring Hugh Bonneville alongside Gillian Anderson, the period drama set in 1947 India depicts Lord Mountbatten, the man charged with handing India back to its people.
Also having its world premiered out of competition will be Álex de la Iglesia’s The Bar, a comedy-thriller about a group of strangers who get...
- 1/10/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman) tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
After an initial line-up that included Aki Kaurismäki‘s The Other Side of Hope, Oren Moverman‘s Richard Gere-led The Dinner, Sally Potter‘s The Party, and Agnieszka Holland‘s Spoor, the Berlin International Film Festival have added more anticipated premieres. Highlights include one of two (maybe three) new Hong Sang-soo films this year, On the Beach at Night Alone, along with Volker Schlöndorff‘s Return to Montauk with Stellan Skarsgård and Nina Hoss, as well as the high-profile world premiere of James Mangold‘s Logan and the international premiere of Danny Boyle‘s T2: Trainspotting.
With Paul Verhoeven serving as jury president for the 67th edition of the festival, check out the new additions below.
Competition
Bamui haebyun-eoseo honja (On the Beach at Night Alone)
South Korea
By Hong Sangsoo (Nobody’s Daughter Haewon, Right Now, Wrong Then)
With Kim Minhee, Seo Younghwa, Jung Jaeyoung, Moon Sungkeun,...
With Paul Verhoeven serving as jury president for the 67th edition of the festival, check out the new additions below.
Competition
Bamui haebyun-eoseo honja (On the Beach at Night Alone)
South Korea
By Hong Sangsoo (Nobody’s Daughter Haewon, Right Now, Wrong Then)
With Kim Minhee, Seo Younghwa, Jung Jaeyoung, Moon Sungkeun,...
- 1/10/2017
- by Jordan Raup
- The Film Stage
It’s become a great breaking in the new year traditional here at Ioncinema.com. We begin our countdown to the our most anticipated foreign films (anything outside the U.S.) with our own Nicholas Bell curating the best bets for 2016. Here are the titles and filmmakers that didn’t make our final Top 100 cut, but are nonetheless “radar” worthy.
101. El Rey del Once – Daniel Burman
102. The Dancer – Stephanie Di Giusto
103. Le Cancre – Paul Vecchiali
104. While the Women are Sleeping – Wayne Wang
105. Tomorrow – Martha Pinson
106. Spring Again – Gael Morel
107. Crowhurst – Simon Rumley
108. Le Garcon – Philippe Lioret *
109. Marie and the Misfits – Sebastien Betbeder
110. Le Caravage – Alain Chevalier
111. Night Song – Raphael Nadjari
112. Réparer les vivants – Katell Quillevere *
113. Project Lazarus – Mateo Gil
114. Afterimages – Andrzej Wajda
115. Don’t Knock Twice – Caradog James
116. Detour – Christopher Smith
117. The Bride of Rip Van Winkle – Shunji Iwai
118. Three on the Road – Johnnie To
119. Le Vin et le Vent...
101. El Rey del Once – Daniel Burman
102. The Dancer – Stephanie Di Giusto
103. Le Cancre – Paul Vecchiali
104. While the Women are Sleeping – Wayne Wang
105. Tomorrow – Martha Pinson
106. Spring Again – Gael Morel
107. Crowhurst – Simon Rumley
108. Le Garcon – Philippe Lioret *
109. Marie and the Misfits – Sebastien Betbeder
110. Le Caravage – Alain Chevalier
111. Night Song – Raphael Nadjari
112. Réparer les vivants – Katell Quillevere *
113. Project Lazarus – Mateo Gil
114. Afterimages – Andrzej Wajda
115. Don’t Knock Twice – Caradog James
116. Detour – Christopher Smith
117. The Bride of Rip Van Winkle – Shunji Iwai
118. Three on the Road – Johnnie To
119. Le Vin et le Vent...
- 1/4/2016
- by Eric Lavallee
- IONCINEMA.com
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