To learn what the USA can learn from other nations, Michael Moore playfully "invades" them to see what they have to offer.To learn what the USA can learn from other nations, Michael Moore playfully "invades" them to see what they have to offer.To learn what the USA can learn from other nations, Michael Moore playfully "invades" them to see what they have to offer.
- Awards
- 4 wins & 13 nominations
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Storyline
Did you know
- TriviaDuring the Norway segment, it is stated that mass murderer Anders Behring Breivik, who was responsible for several terrorist attacks in 2011 that killed 77 Norwegians, was sentenced to a minimum of 10 and a maximum of 21 years in prison. It is also mentioned that 21 years imprisonment is the maximum penalty in Norway, regardless of how many casualties there were. Although this is true, it should be added that Breivik was specifically sentenced to containment. Containment or preventive detention means that although the initial sentence is 21 years, the imprisonment can be extended indefinitely, as long as the convict is considered a danger to society, so in practice this probably means life imprisonment.
- GoofsWhen listing what the French get extra for their tax money besides basic services, on screen text states 4 weeks paid vacation. The French have a minimum of 5 weeks paid vacation and 11 legal holidays a year.
- Quotes
Michael Moore: I am an American. I live in a great country, that was born in genocide and built on the backs of slaves.
- Crazy creditsAt the end of the credits, we see a woman scaling a flagpole and cutting down a Confederate Battle Flag, while we hear a pair of men (presumably some sort of law-enforcement officers) requesting that she stop. Accompanying that scene are the words of Moore's battle cry: "Hammer. Chisel. Down."
- ConnectionsFeatured in Close Up with the Hollywood Reporter: Documentary (2016)
Featured review
It was worth waiting nearly three hours in a rush line to catch a screening of this film at TIFF. Mike was there, and when he mentioned before the screening that he made this movie entirely with his own money because he wanted 100% control of it, my expectations were immediately elevated.
And definitely rewarded. Whatever your favorite Moore outing is, I can tell you that this film compares favorably to it. But what really made this a memorable experience for me was that after the movie, Moore invited the entire audience to a ticket-holders Q & A with drinks and refreshments at a pub close by. I had to skip the next movie on my docket in order to attend, but I sure wasn't going to miss this!
The movie might be called "Non-American Exceptionalism." In it, he "invades" a host of (mostly European) countries to "capture" their best ideas. These ideas turn out to be systems – be they economic, institutional, educational, penal, etc. – where desirable ends that could never be realized in America are par for the course. It can be a prosperous factory in Italy where the workers are well-paid and get fantastic benefits it can be the cost-effective school lunch program in France where kids get chef-made gourmet meals every day it can be the free college in Slovenia ... you get the gist. While Moore doesn't pretend that these countries have no problems (watch the right-wing media say otherwise), his examples certainly seem to be "winners" that he invites scrutiny of.
What's likely to be most controversial about this movie is one of the conclusions he draws: that systems seem to work better when women are involved in the decision-making process. When I asked him at the Q & A how he thought Fox was going to spin this film, he said that with the female-friendly theme, they'll probably say that it's a campaign commercial for Hillary. (For the record, his hero female politician is Elizabeth Warren).
Obviously, your potential enjoyment of this film is completely Moore-dependent. If you've ever enjoyed one of his provocateur films, you can put this one down as a sure thing; if you're one of his detractors, this will make you resent him all the more. Seeing this as a member of the former group and getting to attend a one-of-a-kind Q & A afterward definitely made this one of my all-time TIFF outings.
And definitely rewarded. Whatever your favorite Moore outing is, I can tell you that this film compares favorably to it. But what really made this a memorable experience for me was that after the movie, Moore invited the entire audience to a ticket-holders Q & A with drinks and refreshments at a pub close by. I had to skip the next movie on my docket in order to attend, but I sure wasn't going to miss this!
The movie might be called "Non-American Exceptionalism." In it, he "invades" a host of (mostly European) countries to "capture" their best ideas. These ideas turn out to be systems – be they economic, institutional, educational, penal, etc. – where desirable ends that could never be realized in America are par for the course. It can be a prosperous factory in Italy where the workers are well-paid and get fantastic benefits it can be the cost-effective school lunch program in France where kids get chef-made gourmet meals every day it can be the free college in Slovenia ... you get the gist. While Moore doesn't pretend that these countries have no problems (watch the right-wing media say otherwise), his examples certainly seem to be "winners" that he invites scrutiny of.
What's likely to be most controversial about this movie is one of the conclusions he draws: that systems seem to work better when women are involved in the decision-making process. When I asked him at the Q & A how he thought Fox was going to spin this film, he said that with the female-friendly theme, they'll probably say that it's a campaign commercial for Hillary. (For the record, his hero female politician is Elizabeth Warren).
Obviously, your potential enjoyment of this film is completely Moore-dependent. If you've ever enjoyed one of his provocateur films, you can put this one down as a sure thing; if you're one of his detractors, this will make you resent him all the more. Seeing this as a member of the former group and getting to attend a one-of-a-kind Q & A afterward definitely made this one of my all-time TIFF outings.
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Şimdi Nereyi İşgal Edelim?
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,827,261
- Opening weekend US & Canada
- $897,034
- Feb 14, 2016
- Gross worldwide
- $4,664,756
- Runtime2 hours
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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