A documentary presenting Aretha Franklin with choir at the New Bethel Baptist Church in Watts, Los Angeles in January 1972.A documentary presenting Aretha Franklin with choir at the New Bethel Baptist Church in Watts, Los Angeles in January 1972.A documentary presenting Aretha Franklin with choir at the New Bethel Baptist Church in Watts, Los Angeles in January 1972.
- Awards
- 2 wins & 15 nominations total
- Self
- (archive footage)
- Self
- (archive footage)
- Self - Choir Director
- (archive footage)
- Self - Guitar
- (archive footage)
- Self - Organ
- (archive footage)
- Self - Percussion
- (archive footage)
- Self - Drums
- (archive footage)
- (as Bernard Purdie)
- Self - Bass
- (archive footage)
- Self - The Southern California Community Choir
- (archive footage)
- Self - The Southern California Community Choir
- (archive footage)
- Self - The Southern California Community Choir
- (archive footage)
- Self - The Southern California Community Choir
- (archive footage)
- Self - The Southern California Community Choir
- (archive footage)
- Themselves - The Southern California Community Choir
- (archive footage)
- Self - The Southern California Community Choir
- (archive footage)
- Self - The Southern California Community Choir
- (archive footage)
- Self - The Southern California Community Choir
- (archive footage)
- Self - The Southern California Community Choir
- (archive footage)
Storyline
Did you know
- TriviaDirector Sydney Pollack was totally inexperienced in shooting music documentary and shot without clapper boards snapping shut at the beginning of each take to help synchronize sound and picture in post-production. As a result of this mistake, even after months of work by experts, the 20 hours of footage couldn't be synchronized with the audio tracks. The choir director from the Watts recordings was brought in to try to lip-read the reels, but after months of work, only about 150 minutes of footage had been matched with sound, none of it adding up to a complete, useable song. Deadlines passed as the "Amazing Grace" album came out in June 1972, selling millions with no synergy. In August, Warner Bros. officially wrote off and shelved the movie. Pollack never gave up on the project, but constantly had other commitments. In 2007, dying of cancer, Pollack finally handed the documentary project over to producer and music enthusiast Alan Elliott.
- Quotes
Rev. Franklin: I went in the cleaners one day in Detroit to pick up some clothes, and Aretha had appeared on a recent television show. And she told me, "I saw your daughter Aretha last night." I said, "Yes? How did you like it?" She said, "It was all right. But I'll be glad when she comes back to the church." I said, "Listen baby, let me tell you something. If you want to know the truth, she has never left the church."
- Crazy creditsThe film concludes with a 1972-era Warner Bros. ending card, even though WB technically no longer has any ties to the film, to suggest how it would have played out had the project been completed and released when initially intended.
- ConnectionsFeatured in Mark Kermode's Secrets of Cinema: Pop Music Movies (2021)
Director Sidney Pollack was hired to document this recording. This film at times seems unfinished or one big revival but that's not why you should buy a a ticket. You're watching sheer talent at hand - raw, unadulterated talent given by God. Aretha in her element joined by the California Community Choir and The Reverend James Cleveland provide the audience a spiritual elevation. This movie isn't about cinematic perfection; it's about touching your soul. Some of my favorite moments are her rendition of "Mary Won't You Weep" and her mash-up of "Precious Lord, Take My Hand, and You've Got Friend" made famous by James Taylor. Only Aretha could turn a secular song and incorporate it into a gospel hymn.
Aretha like most artists of her caliber was a perfectionist and didn't want the movie to be released while she was alive, but I'm glad that her family differed in her view. There is a whole generation that never got to experience this Aretha and now they can.
You will get a chance to see her Father the Reverend C.L Franklin and the tight bond they shared. There are also other celebrities in the building such as Clara Ward, and if you pay close attention, an enthusiastic Mick Jagger is sitting in the back.
This movie is a reverence to a time when black America was no longer defining itself by white standards but firmly standing in its blackness. Aretha was our queen and the church our foundation. She was our refuge our joy our Amazing Grace. All hail the Queen.
Diversity: This movie gets a ten. It doesn't get any blacker than Aretha and gospel music.
Scale: I highly recommend this movie not because Aretha was my favorite singer but because we could use a little spiritual revival during these dark times. A rousing 8 and Amen.
- cupofsoulshow
- Jul 10, 2019
- Permalink
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Чудова ласка
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,450,456
- Opening weekend US & Canada
- $57,353
- Dec 9, 2018
- Gross worldwide
- $7,796,112
- Runtime1 hour 29 minutes
- Color
- Aspect ratio
- 1.78 : 1